Putu Marmar Herayukti

From BASAbaliWiki
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Full Name
Putu Marmar Herayukti
Pen Name
Marmar Herayukti
Photograph by
Link to Photograph
https://www.instagram.com/wishingwelluluwatu/
Website for biography
Place
Denpasar
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Biography


In English

Born in Denpasar, 13 September 1982.

Tattoo and visual artist who owns the studio Hellmonk Tattoo. He is a prominent Ogoh-Ogoh artist and gained a following for use of eco-friendly materials. (https://www.famousbirthdays.com/people/marmar-herayukti.html)

About the statue in the profile picture:

‘Waruna’ Marmar’s recycled paper, rattan and bamboo installation is suspended from the ceiling on the second level of Wishingwell. It features the mythical guardian of the ocean surfing a wave. Part human part beast, the fantastic creature has a powerful upper torso and elongated octopus tentacles for legs. “I set out to make an artwork which included sustainable materials along with rubbish from the ocean,” Marmar said.

In Balinese

In Indonesian

Examples of work

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"Meanings are full of meaning. In the Script Seed Symbol, it arranges the core of the Mantra That Animates the World"

Every means of the ceremony is always full of meaning. Like a light that illuminates life for a cultured human being who leads him to be in harmony with the universe. Life is inseparable from two different things but in pairs (Rwa Bhineda) which is symbolized by Arak - Berem who was born through two different journeys "Purification" and "Purification". And when it's called Mantra Script, not everyone has the authority to say it. That's why Mantra comes through a means called the way of managing mantras. Casts a Mantra even if it's not be spoken.

I am the "Dwi Script" who cannot be guessed just by looking at the spectrum of colors captured by the retina. When my fusion occurs, indeed no human can measure the depth and even the situation.
Pejuang Adat 2019
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The imposing 600 by 400 by 250 cm wood and papier-mâché sculpture had an important, timely message. Made from sustainable items with traditional Balinese techniques that pushed the levels of materiality, ‘Pejuang Adat’ (Indigenous Warriors), was the artist’s bold call to his people. A traditional sailing vessel perched dangerously upon the crest of a wave and destined for disaster, ‘Pejuang Adat’ is a metaphor for the current plight of the Balinese society, that according to the artist, lacks in leadership and is without a strong vision for the future.


https://www.nowbali.co.id/marmar-herayukti-a-balinese-art-activitist-inspiring-the-next-generation/