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A list of all pages that have property "Biography example text" with value "Playing cuk cuk dar - This children's game is old, often played by children in the eastern area. Cuk cuk dar is young bamboo, also called bamboo reed, the ammunition is water. And as is usual in war games, it can be played with two or more people.". Since there have been only a few results, also nearby values are displayed.

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  • I Wayan Kiki Sanjaya  + (This research aims to analyze online EngliThis research aims to analyze online English learning activities in the rural area of Bali through a case study of Timpag Village, Tabanan Regency, Bali. A SWOT analysis was conducted to determine the strengths, weaknesses, opportunities, and threats that influence the decline in student enthusiasm related to online learning. The results obtained are a declining trend in teaching and learning activities in Timpag Village due to less interactive learning material and the lack of interaction between parents and teachers in monitoring student learning activities at home. The solution given is to improve coordination between parents and teachers and improve the quality of the material that will be provided.ity of the material that will be provided.)
  • I Gusti Ngurah Widyatmaja  + (This research is motivated by the lack of This research is motivated by the lack of company attention in Badung Regency which absorbing workers with disabilities and the diversity of work placements also the different types of disabilities among employees at Nusa Dua Beach Hotel and Spa which have different job characteristics. The rules given by the Indonesia government through Law No. 8 of 2016 concerning Persons with Disabilities are carried out by the Nusa Dua Beach Hotel and Spa in the form of employing people with disabilities. The purpose of this study</br>was to determine the characteristics of employees with disabilities at the Nusa Dua Beach Hotel and Spa, to determine the work motivation of employees with disabilities, to determine the inhibiting a nd supporting factors of disability employees while working. The method used in this research is descriptive qualitative by collecting and combining data information from the identification of raw data. The results of the analysis will be interpreted by collecting data from the data collected and then developed with the theory obtained. Data</br>collection is done by observation, a study of literature, distributing questionnaires, documentation and in - depth interviews. The results of the data analysis state that intrinsic motivation and extrinsic motivation play a role in employee performance, especially in achievement, sociodemographic characteristics and job characteristics play a role in the suitability of work with employee characteristics and employee work productivity. One of the supporting factors for employees with disabilities in working is the achievement of employees. One of the inhibiting factors at work is job rotation.nhibiting factors at work is job rotation.)
  • Putu Desy Apriliani  + (This study aims to analyze and determine tThis study aims to analyze and determine the effect of the level of education, investment and economic growth on poverty conditions in Karangasem Regency. This area was chosen as the research location because Karangasem Regency still has a relatively higher percentage of poverty level compared to the rest ofeight districts in Bali Province. The study uses a non-participant observation approach utilizing secondary data provided by the Central Bureau of Statistics of Bali Province and the Central Bureau of Statistics of Karangasem Regency.To analyze the collected data, this study uses multiple linear regression analysis techniques. The results of the study show that the level of education, investment and economic growth simultaneously had a significant effect on poverty conditions in Karangasem district. Each of the dependent variabel – the level of education, investment and economic growth -- hasnegative and significant effect on poverty conditions in Karangasem district. The variable that has a dominant influence on poverty conditions in Karangasem district is the investment variable.gasem district is the investment variable.)
  • I Putu Udiyana Wasista  + (This study aims to determine the psychologThis study aims to determine the psychological condition of the people in Denpasar City, seen from the phenomenon of the trend of choosing color paint for homes during the COVID-19 pandemic. The survey was conducted in 12 paint shops and buildings spread across Denpasar City. The method used is structured interviews. The research method is qualitative with the descriptive presentation. The results of data mining were studied using color psychology theory. Based on the results of the study, it shows that the choice of white and bright colors has implications for the desire of the community to create peaceful, calm, clean and pleasant conditions in their homes during the COVID-19 pandemic. their homes during the COVID-19 pandemic.)
  • Manila Ayupijaya  + (This study aims to provide an illustrationThis study aims to provide an illustration that the Covid-19 pandemic has had a very severe impact on the economy and other things in Bali as an area that relies on the tourism sector. The method used in this research is the descriptive – qualitative method. Data collection techniques were carried out through observation, interviews, and documentation. The results of the study show that in addition to the negative impacts caused by the Covid-19 pandemic, there is a positive impact on the employment sector in an effort to accelerate the digitization of job transformation which requires people to quickly adapt to all the changes that shape the new life and world of work in line with the demands of the revolution. industry 4.0. Comprehensive efforts are needed as well as quick and appropriate </br>policies to deal with the impact of the Covid - 19 pandemic in the employment sector to </br>protect and restore the welfare of workers both now and after the pandemic.f workers both now and after the pandemic.)
  • I Wayan Juniarta  + (Uled (Hairy Caterpillars) “Recently thousUled (Hairy Caterpillars)</br></br>“Recently thousands of hairy caterpillars have “attacked” villages. What does it mean?” comes a question.</br>It means that the they “never go to a barber or beauty salon”. If they do, their “hairy” styles would be different; curly, bald, short hair, and re-bonding as well,” replies I Putu Tawah Matah (Just Talk Without Thinking).</br></br>Everyone laughs. They realize that that kind of comment always comes when a question is asked to crazy people like I Putu.</br></br>“It’s a sign for us. Perhaps we should carry out bigger rituals, or we might have done something wrong that make the gods angry,” comments I Made Tirtayatra Miratdana (Pilgrimage Funded By ‘Dirty’ Money).</br></br>Everyone seems to know everything about the gods’ minds: when there is a volcanic eruption, or a tsunami, or a caterpillar plague, they say the gods are angry. They think that the gods have no other job other than creating disasters.</br></br>“The way you think is similar to the Legislative Assembly members who say the caterpillar epidemic is a “warning” from God. If God likes creating disasters, the first target should have been them as they never listen to the people. They keep wanting to build a new huge hotel-like office for themselves when most of Indonesian are still living in poverty,” says I Wayan Bungut Lengut (Sweet Talk).</br></br>“If the gods created natural disasters — volcanic eruptions, earthquakes, rabies or caterpillar epidemics — every time they got angry, what would they do when they were happy? Distribute gold, money, rice or Supermi noodles?”</br></br>“As to date we have never seen things like that, it means that we still have to work hard to survive, or you have to buy your own supermi if you want. The conclusion is the gods have nothing to do with natural disasters,” concludes I Wayan.</br></br>Everyone nods. They don’t like people who say the gods are often angry or create natural disasters.</br>“Our gods (bhetara) are easy, they do not like swearing at their followers: when a river delta in Kuta was claimed and filled in by an investor, or when a temple’s property is rented out for villas, or when temples are changed to tourist attractions, or when ceremonies and rituals become business-oriented ……….. our gods never complain”</br></br>It seems our gods know well that humans are smart and know what they are doing.</br></br>“We are born to think: that’s why we have to use our brains, and not always blame our gods every time we have a problem or a disaster. Otherwise, it’s no use the gods giving us brain.”</br></br>“So hairy caterpillar epidemic has nothing to do with the gods.”</br></br>“I would think that this epidemic has been caused by extinction of birds and ants (less and less predators that prey on hairy caterpillars). Or the hairy caterpillar might not be aware of “family planning”; and as it has been raining recently, they breed very fast,” says I Wayan.</br>Were the caterpillars be human, they would know KB (Family Planning program), and how expensive education and health insurance is, there were bills to pay, hence they would think twice before breeding; knowing how expensive life is.</br></br>“Well, no matter how bad the hairy caterpillar epidemic is, don’t they know that caterpillars will turn into beautiful butterflies or produce expensive silk.</br></br>“No matter how destructive the caterpillars are, they are much better than bad people. Bad people never turn into good ones or produce good things. Instead, they just turn into a bunch of hypocrites who they pretend to know everything about the gods or act in the name of the gods.t the gods or act in the name of the gods.)
  • I Gusti Ayu Diah Yuniti  + (WHO established Covid-19 as the Public HeaWHO established Covid-19 as the Public Health Emergency of International Concern (PHEIC). On 12 February 2020, WHO declared a novel coronavirus in humans as Coronavirus Disease 2019 (COVID-19). The Covid-19 pandemic had a severe impact on Bali's economic and tourism sectors. The government said the Bali region was suffering from Covid-19 where all tourism stopped and 96% of hotels were temporarily closed. As a result, there are many layoffs and a community that did not have jobs. In everyday living life becomes very alarming. Covid-19 is very influential in the Balinese people future life. The purpose of this research is to find out the impact of Covid-19 on food needs, basic needs and survival community in the Bali area. Methodology: the research done by survey. The distance and location given, use the google form application. The population of 1500 people with aged 15-60 years and working in the tourism sector. The number of samples was 150 respondents or 10% of the total population. Data collected is related to economic, socials and environmental conditions of the household during the Covid-19 outbreak. Descriptive data analysis in the form of visual research results in the form of graphs, tables and figures. Main Findings: During the 60-day outbreak of Covid- 19 the community infected 343 people, recovered 232 people and died 4 people. Pressure on the tourism sector in Bali resulted in the economic collapse. Most of the 80% of informal workers in Bali are laid off (not working), further increasing the number of open unemployment in Bali. Originality / Novelty that 95% of Balinese people experience changes in social behavior, healthy living and maintaining environmental cleanliness. The anxiety towards Covid-19 is still reasonable not get to social dysfunction. Despite the difficulty of interacting between communities, stay at home 75% kinship at home is tighter.ay at home 75% kinship at home is tighter.)
  • Thomas Wright  + (Water plays an important role in Balinese Water plays an important role in Balinese society. Not only is it commonly featured in Balinese Hindu rituals, but its use and management also enables prosperity through rice cultivation. While these aspects of water have been discussed in many academic and non-academic publications, qualitative understandings of relations to seawater remain somewhat unexplored in the literature. The aim of this paper is to present a preliminary review of existing literature on water and marine environments in Bali, and argue the need for further qualitative social scientific understanding of contemporary Balinese relations to seawater. A discussion of existing research on ocean-centred communities and continued tourism development in Bali’s coastal areas is intended to add to current research in Balinese studies. By presenting literature on Balinese concepts of environment, water and the ocean, this paper seeks to highlight the benefits of continued research on perceptions of environment to discussions of pollution, water scarcity and resource management. Although maritime attractions such as the temples at Tanah Lot and Uluwatu as well as several popular beach communities play a significant role in the tourism industry, this paper suggests the need to further investigate the importance of these attractions to tourists and Balinese as well as the social interpretations associated with them.cial interpretations associated with them.)
  • I Gusti Ngurah Ady Kusuma  + (Wireless sensor networks (WSN) consists ofWireless sensor networks (WSN) consists of large number of sensor nodes with limited energy and computing resources. These facts have highlighted open problem to prolong the lifetime of sensor nodes while still maintaining the functional roles of WSN in reporting important events to a base station. These papers propose an approach for WSN inspired by the concept of immunity-based system where a set of reactions is performed in the appearance of nonself substances called syndromes. The notion of reactive cluster is introduced where only sensor nodes affected by the syndrome appearances need to perform reactions by establishing clusters among them. Since communication costs significant energy, each sensor nodes as an immune cell need to reduce impacts of the syndromes for itself and other sensor nodes in the routing paths to the sink node. It is done establishing adaptive data aggregation strategies. Depend on the critical level of the corresponding syndrome and error of wireless communications that may occur, the length of the aggregation window is adjusted. We show that the proposed approach shows promising results in minimizing dead sensor nodes, avoiding network congestion while still maintaining the functional roles of WSN in reporting important events to the sink node.porting important events to the sink node.)
  • I Gusti Agung Wijaya Utama  + (‘Bunga Palsu’ (Fake Flower) is a compellin‘Bunga Palsu’ (Fake Flower) is a compelling example of how Gung Ama is pushing his technical prowess towards the new creative territory. The picture describes a young man in a traditional headdress holding a plastic flower arrangement, partially obscuring his face. Artificial light sparkles upon the flower and highlights his left shoulder, while a dark shadow defines the right. Juxtaposing dark and light with the old and new, Gung Ama creates a fascinating aesthetic collision with strong visual tension. The subject’s eyes are hidden, concealing his identity while his mouth is expressionless, adding to the intrigue. Highly suggestive, the image has a remarkable power to trigger multiple interpretations within our imagination.</br></br>Review by Richard Horstmanr imagination. Review by Richard Horstman)
  • Nyoman Butur Suantara  + ("Guardian II" is part of a series of black"Guardian II" is part of a series of black and white photographs by ManButur Suantara exploring Water. </br></br>When one hears ‘Water’, immediately our minds go to all the things that are sensory and visual. We think of the colour blue and we associate the feeling ‘wet’. Around us, Water is ocean, lake, rain, and dew. In feelings, we may associate coolness, wetness, thirst, and by association dryness. In ManButur’s Water series, its most interesting that those associations are the least pronounced.</br></br>We are inadvertently guided to experience Water, in a different way. Here, Water is present, but as a quiet supporting role. A presence that does not scream out. Yet, its presence transports us to a place quite different. Here, Water have merged together the earth and the sky.ave merged together the earth and the sky.)
  • Putu Marmar Herayukti  + ("Meanings are full of meaning. In the Scri"Meanings are full of meaning. In the Script Seed Symbol, it arranges the core of the Mantra That Animates the World"</br>Every means of the ceremony is always full of meaning. Like a light that illuminates life for a cultured human being who leads him to be in harmony with the universe.</br>Life is inseparable from two different things but in pairs (Rwa Bhineda) which is symbolized by Arak - Berem who was born through two different journeys</br>"Purification" and "Purification". And when it's called Mantra Script, not everyone has the authority to say it.</br>That's why Mantra comes through a means called the way of managing mantras. Casts a Mantra even if it's not</br>be spoken.</br>I am the "Dwi Script" who cannot be guessed just by looking at the spectrum of colors captured by the retina. When my fusion occurs, indeed no human can measure the depth and even the situation. measure the depth and even the situation.)
  • Dewi Dian Reich  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Nyoman Butur Suantara  + ('Melodious Urban' is a new work by ManButu'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.</br></br>Do we relate to noise as a disturbance? Does quiet mean peace?</br></br>Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.</br>For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.</br>It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
  • Duo Saraswati  + (Gamelan music composed by Colin McPhee played on cello and piano)
  • Dewi Dian Reich  + (It is believed that the Barong Landung is It is believed that the Barong Landung is the manifestation of a royal couple, the King Jayapangus and his Chinese Consort Kang Cing Wie.</br>The story goes, that the royal couple were deeply in love but after many years had not been blessed with children. In need of a successor, the King went to Mount Batur to meditate and seek guidance. As he meditated there he met and took as his second wife the Dewi Danu. The daughter of the Goddess of Lake Batur. It is after this second marriage that conflict continued to haunt the family of the King Jayapangus. In summary, The Goddess of the Lake, angry to see her daughter hurt and betrayed. Because of this She destroyed King Jayapangus and his first wife Kang Cing Wie. </br></br>Read related articles at www.sawidji.com Read related articles at www.sawidji.com)
  • Sang Ayu Putu Eny Parwati  + (Language is a resource capable of exposingLanguage is a resource capable of exposing a cultural mystery and cultural can only be expressed in language. Balinese language and culture is a mirror of its speakers. The language and culture of “memasak” or ‘cooking’ in Balinese society has its own meaning which can be expressed through the study of Natural Semantic Metalanguage (NSM). The NSM theory is designed to exploit all meanings, both lexical, illocution, and grammatical meanings. “memasak” or ‘cooking’ in Balinese is included in the category of action and process. In the verb there is an uncompressed polysemic between DO and HAPPEN so the experiment has an exponent: “X does something on Y, and therefore something happens to Y”. The data is collected by involving the conversation method and observation and note taking techniques, there are 12 lexicons of data collected. Trough NSM approach, they applied to represent the semantic primitives. Based on the methods, instruments, and entities used in the verbs, lesksikon is divided into three group of instruments, namely (1) ‘cooking’ by water: nyakan, nepeng, ngukus, ngengseb, nglablab, ngnyatnyat (2) ‘cooking’ by fire: nunu, manggang, nambus, and nguling, (3) ‘cooking’ by oil and without oil: ngoreng and ngenyahnyah. All the lexicon that has the meaning of cooking on the pattern of NSM syntax: X doing something on Y and Y is cooked (well-done).omething on Y and Y is cooked (well-done).)
  • I Wayan Gunayasa  + (Melasti is a purification or cleansing of Melasti is a purification or cleansing of the instruments that will be held at the temple. Melasti is usually carried out on the beach but in several places in Bali it can also be done in rivers or lakes. The people who will carry out the ceremony at their temple will voluntarily take part on foot to the place of confirmation.part on foot to the place of confirmation.)
  • A.A. Made Putra Arsana  + (One of the modern Balinese literary works One of the modern Balinese literary works that has developed in the community is the short story Luh Ayu Manik Mas Ngalahang Legu Poléng. The short story contains the value of good education to shape the character of the community. Likewise, the contents of the short story are very closely related to people's lives today. So that it is more interesting to know the values of the short stories, especially the character values of the characters. Based on the thoughts above, this study will discuss the problem, namely the value of character education contained in the short story of Luh Ayu Manik Mas Ngalahang Legu Poléng.f Luh Ayu Manik Mas Ngalahang Legu Poléng.)
  • Ni Putu Tirka Widanti  + (The diversity of the language of the envirThe diversity of the language of the environment of Green School Bali needs to be studied, especially the treasury of green ecolexicon as they reflect strategical effort to preserve local wisdom of Balinese culture. This study used a descriptive qualitative approach. Data was obtained from the Green School Bali educational environment by using observation and interviews method. The results shown that the grammatical category of the ‘green’ lexicon is in the form of nouns and verbs that are in the form of basic words and phrases and the ‘green’ syntactic construction at Green School Bali contains these natural lexicons, including noun phrases such as bambu hitam ‘black bamboo’, and verb phrases such as bermain Jegog ‘play Jegog’ while the social praxis dimension of the green ecolexicon namely the ideological dimension, the sociological dimension and the biological dimension. This research also uniquely contributes to preserving the concept of local wisdom in real action in the context of international education in Bali.ontext of international education in Bali.)
  • Putu Marmar Herayukti  + (The imposing 600 by 400 by 250 cm wood andThe imposing 600 by 400 by 250 cm wood and papier-mâché sculpture had an important, timely message. Made from sustainable items with traditional Balinese techniques that pushed the levels of materiality, ‘Pejuang Adat’ (Indigenous Warriors), was the artist’s bold call to his people. A traditional sailing vessel perched dangerously upon the crest of a wave and destined for disaster, ‘Pejuang Adat’ is a metaphor for the current plight of the Balinese society, that according to the artist, lacks in leadership and is without a strong vision for the future.is without a strong vision for the future.)
  • Mark Hobart  + (This article aims to bring the intellectuaThis article aims to bring the intellectual rigour of Cultural Studies to Balinese ideas about culture which confuse culture with ideology. Cultural Studies is not the study of culture, but its critique which deconstructs culture as misrepresenting actuality as an Imaginary convenient to regimes of power. The New Order articulated ‘kebudayaan’ to create a submissive populace happy to embrace global tourism. Culture is no longer how how people do things but marketable commodities posturing as ‘ancient tradition’. Bali as paradise is a cliché. The island now fulfils Madame Suharto’s dream of Disneyland. The capitalist fantasy of endless cost-free growth bears no resemblance to the sophisticated Balinese cosmology of Kali-Yuga, which ends in cataclysmic dissolution; or to popular ideas of the world as ceaseless transforming. Although kebudayaan dismisses ordinary people as stupid masses, they often escape the ideological straitjacket of kebudayaan by just getting on with culture as everyday life. getting on with culture as everyday life.)
  • David Metcalf  + (This is a very popular dance in the villagThis is a very popular dance in the villages whose origins go back to the 1930’s. Also called the Love dance, it is performed by 10 young ( unmarried) couples, and involves singing and dancing to the gambelan and flirtatious movements. Janger means infatuation, so the young ladies and men flirt with each other during the dance creating a happy, fun and sometimes humorous connection.</br></br>The performers had practised this dance in Pesalakan village , a traditional village about 15 minutes from Ubud centre, for many months before, as many had never danced before.</br></br>So this was a revival of the culture through dance which is so important to witness with the many modern influencers impacting culture on the island of the gods.</br></br>One of the main aims of the Togetherness Project is to preserve and revive the culture among the younger generation, and this dance is a wonderful example of togetherness, as it brought the youth together to practise and express their culture.her to practise and express their culture.)
  • Kadek Sudiasa  + (Topeng Tuli is part of Topeng Bondres. It Topeng Tuli is part of Topeng Bondres. It was performed in the past as entertainment during ceremonies and community events. This mask was made by Kadek Sudiasa for 'World Without Sound, an Anthology' Exhibition at Sawidji Gallery.</br></br>"Those who can not hear, do not think lightly or less of them.. because they have something extra, something special that other people may not have. God's creation is full of balance and fairness. If they do not have enough in their power of hearing.. they have something else that is extra that we may not see." ~ Kadek Sudiasaxtra that we may not see." ~ Kadek Sudiasa)
  • Nyoman Butur Suantara  + (Walakiri Tree is part of the series ‘TreesWalakiri Tree is part of the series ‘Trees’ in Black and White by ManButur Suantara. Walakiri Tree is released as Limited Edition prints and signed by the artist. </br>Trees in Black and White by ManButur Suantara. The beauty and poetic vision of ManButur in a series of captures across the Indonesian landscapes. What do you feel when you see a trees’ shadow? When you look upon their reflections and silhouettes. There is something intrinsically human about them.</br></br>A Trees’ Reflection</br></br>Perhaps you can say, it may be that it is the other way around. There is something intrinsically tree like about human beings. Why we see our own reflection in the Earth’s oldest children. For of the oldest living things on this Earth, trees are amongst them. They carry the memories and earths’ blood in their veins.</br></br>There is this basic truth that trees bring life to others. From the time they are a seed, to their stems and flowers, there is no waste. From the beginning to the end of their life, they are givers to the world.</br></br>Nyoman ‘Butur’ Suantaraers to the world. Nyoman ‘Butur’ Suantara)
  • Komang Pramana  + (Playing cuk cuk dar - This children's game is old, often played by children in the eastern area. Cuk cuk dar is young bamboo, also called bamboo reed, the ammunition is water. And as is usual in war games, it can be played with two or more people.)
  • Gede Suanda  + ('Spiritual Healing’ 2022 is Sayur’s most 'Spiritual Healing’ 2022 is Sayur’s most recent painting and a light-hearted response to Bali as an international spiritual tourist mecca. Beautiful soft colours and visual rhythms highlight the composition, an interesting fusion of creative influences inherited from his culture and others inspired by other painters. First, the soothing blue sky makes way for graceful curving lines of brown and orange clouds. Next, our eyes are drawn to the conical shape of the volcanic peak and immediately follow the gentle rhythm of the smoke wafting from the crater. Sayur’s description of the smoke is a modification of the cloud motif taken from the Classical Balinese style.</br>Harmonic colouration catches the eye. Two white herons on both sides of the smoke create a dynamic sense of movement, emphasising the bird’s motion of flight—our eye dances in tune, one-two-three, observing the icons. As we continue down the composition, the green foliage of the forest captures our attention. The visual rhythm changes again as our eye circumnavigates the leaves. The vertical lines of the tree allow the eye to sweep up and down the elongated trunks. To the right, the artist entertains us with other information, tall palms, curvaceous rice terraces, and round coconuts. He depicts a kite trapped in a tree as a simple, humorous distraction.</br></br>The focal point of the composition is the three figures. A Balinese woman carries an offering upon her head. A pale-skinned female tourist with her palms raised and water pouring onto her head participates in a Balinese cleansing ritual called melukat. A monkey upon a brown rock watches on with a grin of delight as he pushes a toy boat into the spring. The swirling curves on the stone are the artist’s modification of a classical icon. The visual rhythms change as the eye flows around the arcs of the figures, each with differing dimensions, colouration and feeling. Finally, we follow the shape of the skimpy blue G-string as it disappears into the tourists behind.as it disappears into the tourists behind.)
  • Ketut Yuliarsa  + (A bilingual (Indonesian and English) colleA bilingual (Indonesian and English) collection of contemporary Balinese Poems by one of Bali's leading poets.These poems contemplate the modern Balinese people's struggle between tradition and today's values.This compilation of work spans the period between 1996 and 2006 and includes the lyrical verse written for the theatre production of "The Theft of Sita" which toured throughout Europe, America and Australia in 2001/2.</br></br>The poems are not literal translations but rather have been written and rewritten in both languages to enhance the reader's experience.guages to enhance the reader's experience.)
  • Putu Ayu Sani Utami  + (Aim: Stress in the elderly are feeling depAim: Stress in the elderly are feeling depressed, anxious, and tense caused by stressors such as physical, mental, and social changes that affects their emotional status and cause diseases. Stress management in elderly can be done by reminiscence therapy that use memory of the past to maintain elderly’s mental health. This study aims to determine the effect of reminiscence therapy to stress on elderly Method: The design of this research was quasi-experimental using nonequivalent control group design. The samples consisted of 34 elderly were selected by purposive sampling, divided into 17 elderly in treatment group and 17 elderly in control group, and data collection was done using the Stress Assessment Questionnaire (SAQ). Result: Test analysis result of Independent Sample T-Test with a significance level of 95% was concluded there are significant effect of reminiscence therapy to stress in the elderly. Conclusion: Activities by recalled memories of the past can help elderly people to interact and express their feeling to family and friends so that the elderly are able to adapt to stress.t the elderly are able to adapt to stress.)
  • Arie Smit  + (Article from Bali Post newspaper May 1980 Article from Bali Post newspaper May 1980</br></br>Bali Post English Edition, May 1980</br>Conversation with Arie Smit</br>The name is synonymous for many with the 'Young Artist' movement of Penestanan, Ubud- a name that inevitably crops up when one studies the modern evolution of Balinese art. Some people feel that the introduction of the 'Young Artist' movement has only led to a crass form of art whose only merit is commercial, others feel that it is too 'un Balinese'.</br>Arie Smit himself doesn't elaborate much on his role in initiating this new school of art, he considers his role as that of a mere 'suggester'. He implies that he never taught the 'Young Artist's any fundamental concepts or techniques, insisting that he works not on "putting in but bringing out". He claims that he is more interested in the mental states and environment that influence art, the people and the culture that characterise it.</br>His romance with the imagery of Bali is on-going: "Bali is a bulwark of images" and though he admits that this source of inspiration is eventually limited, he cannot shake his passion for it. Perhaps this is a direct result of his philosophy of art, a philosophy that has been tested and refined over the many years that he has spent in Indonesia (he became an Indonesian citizen in 1951).</br>His fascination with Balinese imagery is linked with his interest in 'Child Art'. Fittingly his contribution to Bali has been to provide a vehicle for Naive Art in the ‘Young Artist’ movement.</br>To explain the beginnings and motives for this he takes us back to the Fifties when he was in Bandung. At the time he was working for the Publishing house "Masa Baru” as a lithographer. One of his colleagues was the Dutch born Rina Marsman, a remarkable woman who had once tutored Queen Wilhelmina’s children in exile during WWII.</br>Her extensive knowledge in the field of education led involvement in the area in Indonesia, a country she had learned to love. Rina Marsman had the foresight to include a formidable library of books on the subject amongst the possessions she brought to Indonesia. Arie Smit took full advantage of this opportunity to plunge into books on education and “child art”.</br>Prompted by her, he began working part time teaching members of the Yayasan Beribu organization (made up of influential society women of the time) in education techniques. The Yayasan Beribu was chaired by Mrs. Mary Effendy Saleh, whose husband was in charge of Indonesia's railroads at the time. Rina Marsman was bringing the latest education techniques to this group who in turn were to teach children.</br>In the spare time that he had Arie Smit managed to paint. Out of this set of circumstances grew the first real momentum towards the 'Young Artists'. At one point he was teaching lithography to Bandung's ITB (Technical Institute) students - and through this decided to mount an exhibition there. Via his contact with Mrs. Saleh he managed to distribute art materials to the children of railway workers. "These children drew what they saw around them, and the realities that they lived with. Children can only draw what they have experienced, their own mental environment - and it's spontaneous, non-intellectual...". It fascinated him to see the readiness with which children drew their world, the power of their observation - "there were locomotives, carriages, derailments (it was during the Darul Islam terrorist times), and we noticed that although fundamentally the same there were slight differences between the girls and the boys: the girls would sometimes put in a nurse!" The exhibition was a success. </br>Again when staying near Puncak on the Jakarta-Bandung route he would notice how the village children had 'spontaneously' acquired a catalogue-like knowledge of motor vehicle makes and specifications. He set about experimenting, providing these children with art materials. Once more there was a spontaneous outpouring of the details of their environment, the same overwhelming power of observation. He undertook these experiments wherever he went in Indonesia.</br>When he first arrived in Ball in 1956 he followed the same pattern. It proved to be a surprise: "It just all came pouring out. As there were no cars, ships, etc. then, they naturally drew what was in their environment. But the quality of their imagination was fantastic, the scope of the Balinese children was tremendous: dances, witches, cremations...” He noticed an emphasis on religion and ceremony, a factor he attributed to the wealth of the culture. But for him the most surprising aspect of these drawings was not the subject matter: “They did not depict objects from their immediate environment, or what was static in their surroundings, they almost always drew or painted what was about to happen. They were always anticipating events to come, such as the cremation next week or the dance the following night..” In all his experiments this 'anticipation' was unique to Bali: the tendency of children's imagination to project into the future.</br>It was precisely this type of exotic material that was to prove of interest to foreigners in Indonesia. In 1960 Arie Smit chose Penestanan as the site for his major ‘experiment’, the ‘Young Artist’ movement. It was a poor village virtually owned by neighbouring landowners who used their labor. Arie Smit began by bartering their first paintings for art materials from foreigners working in Jakarta. “During Sukarno's time art supplies were almost impossible to obtain - this source of supplies was vital to the movement". It grew and grew, and other intermediaries began to play a more active role in the marketing (Jimmy Pandy was one who in Arie's memory was most helpful). On the other hand others had to be convinced and won over - yet when these dealers finally started marketing Young Artists they were surprised to see it become one of the fastest selling items</br>An exhibition in Jakarta several weeks after Gunung Agung erupted was a roaring success, partly because Bali was the focus of public sympathy at the time. For Arie Smit it was a relief to get away from the marketing once things were rolling along by themselves - he never relished the role of salesman. "But it was mainly the diligence and industriousness of these painters that kept me going, I felt that I couldn't let them down.”</br>Despite the fact that the movement has now proliferated tremendously ("Nowadays even an expert would have a hard time wading through all these paintings”) he feels that the best of the Young Artist remain the same 40 that he started off - though they are hardly young anymore.</br>Getting back to 'child art’ Arie states again that all naive painting is a spontaneous, symbolic rendering of the ‘environment’ of the painter. He points out that the Balinese have a tremendous power or vision, and feels that they have no need to work from models or to do life sketches. Arie feels that human beings were never the all-important center of the Balinese Cosmos, and says that the renaissance emphasis on man as the center of the Universe is completely foreign to the Balinese. Thus, at least for Arie Smit, the Young Artist is closer to real Balinese art than the art of those influenced by Bonnet: According to him the 'real Balinese' art is embodied in the paintings that came out of Batuan during the Thirties - the depiction of the various different worlds, the symbolic style. Young Artists, by painting from their own imagination in an essentially symbolic style are closer to this Balinese concept of art than any other ‘modern movement’.</br>One of the important traits of ‘child art’ is the exemption of the intellectualization process - Arie worked mainly with young people under the age of 17, the age around which he says "comes an intellectual crisis. The intellect interferes with the direct expression of the imagination, sometimes to the point where hesitation blocks the expression completely." How did the children of the 60's, the young Artists of Penestanan, cope with growing up?</br>He admits that they ran into a couple of crisis points, where ‘intellectual’ concepts began to interfere with their free expression.</br>Despite his principle of non-interference he finally was compelled to step in: "I watched if for some time, letting it go. But at a certain point I had to re-suggest, to re-affirm their confidence in their own power of vision”.</br>He is obsessed with the ‘power of Balinese vision' - the ability to absorb details, the power of the imagination to recall.</br>When one questions the apparent stagnation of Balinese art, especially that of the Young Artists he admits that there is a need for new directions, not only now but continually. "But total freedom of expression is not an Asian trait. Asians, including Balinese, are more concerned with achieving perfection through repetition."</br>He thinks that this maybe the reason that so many Western Art. movements run dry so quickly, because of the tremendous pressure to create something new all the time, every time! To the oriental there is no such stigma attached to repetition. </br>His work with the Balinese has been one of careful balance between new inspiration and tradition, it was never easy. And not always welcome: once when residing in Ubud at Puri Kaleran, he tried to initiate some girls into painting. "It was back in the Fifties. Some of the girls were quite talented - but unfortunately the banjar community objected." Not only was painting not a woman's role, but for these young maidens to be working in the house of a bachelor was out of the question!</br>Rio Helmiachelor was out of the question! Rio Helmi)
  • NDM Santi Diwyarthi  + (Bali, including museums, is involved in thBali, including museums, is involved in the millennial 4.0 tourism industry. Museum management can no longer be inclusive without borderless and out of the box analysis and application. Museums are one of the means of communication in today's millennial society which must be studied for their benefits in the tourism industry. The research method is quantitative and qualitative, using research instruments in the form of questionnaires, interviews, documentation studies, with the population of museum visitors in Bali. The results showed that most of the guests who visited the museum were people who had studied information related to the museum beforehand, namely 52 percent, 52 percent would write their travel stories to visit the museum, 80 percent would promote the existence of the museum through the internet, 92 percent knew the history of the museum to be visited. and founders, 60 percent will re-promote to others. 40 percent will return to visit the same museum.cent will return to visit the same museum.)
  • NDM Santi Diwyarthi  + (Bali, including museums, is involved in thBali, including museums, is involved in the millennial era tourism industry. Museum management can no longer be inclusive without borderless and out of the box analysis and application. The museum is one of the means of communication in the middle of millennial society today that must be examined its benefits in the tourism industry. The research method is qualitative, using research instruments in the form of questionnaires, interviews, documentation studies, with a population of museum visitors in Bali. The results showed that most of the visitors who visited the museum were people who had studied museum related</br>information first, namely 52 percent, 52 percent would write the story of their trip to visit the museum, 80 percent would promote the existence of the museum through the internet, 92 percent knew the museum's history that would visited and its</br>founder, 60 percent will promote back to others. 40 percent will return to visit the same museum.cent will return to visit the same museum.)
  • Ni Luh Sutjiati Beratha  + (Balinese people who live at Ubud Village iBalinese people who live at Ubud Village in Gianyar Regency are bilingual because </br>they have mastered more than one language. In the environment of Balinese language, there also live other languages, e.g. the national language, i.e. Indonesian language, foreign languages such as English, Japanese, Mandarin, Korea, etc. Balinese people nowadays have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, with Mandarin or Korean Language, etc. This phenomenon might indicate that Balinese language appears to be marginalized. This paper aims at investigating what languages are used in Balinese language environment, since by tradition, ecological locality is very important to be explained because it has strong relation to the sustainability of the use of Balinese language, and natural environment with its diversity. Sociocultural approach, i.e. using the concept of language diversity related to the use of language is applied in this paper. In addition, qualitative method is </br>applied by using observation technique and in-depth interview in collecting the data and information. Theories related to the use of language is used to analyze the data.</br>The result of the study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud is already occupied by expatriates who deliberately come to Bali and settle at Ubud. The reasons why they choose Ubud Village, </br>among others is business they own in tourism sector, the occurrence of intermarriages between Balinese people at Ubud and foreigners (such as Italian, Australian, French, Spaniard, etc), Balinese arts and cultures,etc. This condition affects the choice and use of languages.n affects the choice and use of languages.)
  • Made Gde Subha Karma Resen  + (Based on the absence of rules that provideBased on the absence of rules that provide certainty to issues of customs in Bali. Such as dispute resolution and Customary Law or Adat Law in Bali, the pattern of the relationship between people and activities within the community, thus requiring legalcertainty. Business activities are activities that require certaintyand good adaptation wherever the place of business is established. This article aims to analyze the legal position of established businesses in communities that are still closely related to rules of Customary Law. Analyzing the legal relationship Desa Pekraman (Pakraman Village) with outsiders/Krama Tamiu and Tamiu (Investor, Businessman), and the rights and obligations of entrants who opened the business. By using juridical studies, this paper will describe legal position, as well as the consequences obtained to businessman in carrying out its business activities in Desa Pekraman. its business activities in Desa Pekraman.)
  • Putu Dyatmikawati  + (Based on the absence of rules that provideBased on the absence of rules that provide certainty to issues of customs in Bali. Such as dispute resolution and Customary Law or Adat Law in Bali, the pattern of the relationship between people and activities within the community, thus requiring legalcertainty. Business activities are activities that require certaintyand good adaptation wherever the place of business is established. This article aims to analyze the legal position of established businesses in communities that are still closely related to rules of Customary Law. Analyzing the legal relationship Desa Pekraman (Pakraman Village) with outsiders/Krama Tamiu and Tamiu (Investor, Businessman), and the rights and obligations of entrants who opened the business. By using juridical studies, this paper will describe legal position, as well as the consequences obtained to businessman in carrying out its business activities in Desa Pekraman. its business activities in Desa Pekraman.)
  • Dewa Ayu Posmaningsih  + (Community participation is a contributing Community participation is a contributing factor to the success of waste management. Behavioral changes must be instilled from an early age. The Booklet is a suitable medium used for changes in the behavior of elementary school students. The waste sorting material can be more easily explained by using text messages and pictures. Quasi-experimental research with one group pretest and posttest design. The sampling method is Multistage Random sampling large sample taken for research is 90 people at 65 elementary school in South Denpasar. The instrument of this research is a questionnaire, with data retrieval technique done through interview analysis compare mean paired sample t-test. There is the difference of knowledge, attitude, and action before and after counseling method of self- evaluation by media booklet with a value of (p <0.001). Health promotion efforts by optimizing the role of School Health Services. For further research can be done research on the role of teachers and parents in health promotion activities.s and parents in health promotion activities.)
  • John Darling  + (Episode 1: between the mountain and the seEpisode 1: between the mountain and the sea. This is the first part of Bali Triptych, a film by John Darling (1988). </br>This film explores the geological and cultural influences which have contributed to the evolution of Balinese cosmology, that is dominated by ancestor worship. </br>The film also narrates the turbulent history of the Balinese people. turbulent history of the Balinese people.)
  • Ida Ketut Djelantik  + (Geguritan Sucita-Subudi is one of his workGeguritan Sucita-Subudi is one of his works that is known to many people, why is that? Because this geguritan contains Balinese cultural concepts such as Dharma, Tri Hita Karana, Kala Patra Village, Rwa Bhineda, and Karmaphala. </br></br>Dharma is one of the important concepts in Hinduism. Dharma is often equated with truth, virtue or duty and law. Dharma is likened to a smooth and very cool path that can protect and help people who follow that path from disaster. One who practices the Dharma is called "Dharmika". People who practice dharma only want one thing that is eternal and eternal happiness not the false happiness caused by worldly things. </br></br>Tri Hita Karana is the concept of harmonious relationship that can bring happiness. The harmony of the relationship includes three things, namely the harmony of human relations with God, the harmony of human relations with fellow humans and the harmony of human relations with the surrounding natural environment. In the Geguritan Sucita-Subudi, the concept of harmony between humans and God is called an unreal or spiritual relationship, while the concept of harmony between humans and humans and the relationship between humans and the natural environment. </br></br>Rwa Bhineda is a dualistic concept that reflects two opposite categories in life, such as good and bad or positive and negative. In the Geguritan Sucita-Subudhi, this concept is explained implicitly or indirectly in the expression in something called "Byakta" or something that exists always contains two things that unite. This concept implies that in this world nothing is perfect except God. Everything has advantages and disadvantages at the same time.</br></br>Karmaphala is one of the five belief systems in Hinduism called Panca Sradha. Karmaphala comes from the words karma 'action' and phala 'fruit' which is defined as the result of one's actions. The essence of the notion of karmaphala is that a cause will produce an effect. </br></br>Geguritan Sucita-Subudi consists of 1841 stanzas. Of the many stanzas that are formed by 11 kinds of pupuh. The eleven kinds of pupuh are Sinom, Pangkur, Durma, Ginanda, Ginanti, Kumambang, Warga-sari, Pucung, Semarandhana, and Sadpada Ngisep Sekar. Among these pupuh the most frequently used is the Sinom pupuh, which is 15 times. The use of these pupuhs in the Geguritan Sucita-Subudi is selected and adjusted between the duties or character of each pupuh.een the duties or character of each pupuh.)
  • Ni Luh Wida Apriliani, S.Pd  + (Geguritan Tamba Sastra was created at the Geguritan Tamba Sastra was created at the Literary Creation event, Sastra Saraswati Sewana Pamarisuddha Gering Agung at Puri Kauhan, Ubud. Geguritan Tamba Sastra by Ni Luh Wida Apriliani S.Pd. this is included in the 5 best works in the geguritan category at the Literary Creation event. Geguritan Tamba Sastra is bound by 8 Pupuhs, which include pupuh sinom, pupuh sembaradana, pupuh maskumambang, pupuh pucung, pupuh pangkur, pupuh ginanti, pupuh ginada and also pupuh durma.</br>This geguritan is very interesting because it tells about the beginning of the Corona virus that hit the world, especially in Indonesia where Mother Earth experienced a very deep sorrow that was hit by Covid-19. Various ways have been done to prevent this virus but because for so long this virus has caused the condition of society to be increasingly destroyed due to not working, according to the economy, many people have committed crimes because of the many criminal acts that have occurred in Indonesia. And in the end, the President of Indonesia, Mr. Jokowi, remembered one very important thing in life, where these guidelines are the main key to literature, namely Pancasila, which is the 5 foundations of the Republic of Indonesia. The Corona virus is actually a medicine, not a disease because it makes us aware of the 5 important things contained in the 5 basic principles of our country, namely Pancasila.</br></br>The values contained in Geguritan Tamba Sastra are religious values, social values and also human values.lues, social values and also human values.)
  • Ida Ayu Komang Sartika Dewi  + (I must admit it. Being human in the materI must admit it. Being human in the material world, like it or not, we must make ourselves as attractive as possible. Either by improving yourself or….even self-exploitation?</br></br>Like sweets, even without tasting it, we know for sure it tastes sweet. Right? But with an attractive appearance, it will be faster to take the viewer’s heart, which ultimately determines their future (the sweets). But unfortunately, they only have two fates.</br></br>They are sold out or wasted, becoming rotten.</br></br>This is my first work inspired by life; instead of talking about my illness, using the object of my body and face as a representation. The reason? I am also human and have experienced this for myself. Young women need to make themselves attractive; otherwise, you will be left out.tractive; otherwise, you will be left out.)
  • I Gusti Putu Hardi Yudana  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • I Gusti Ngurah Ady Kusuma  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • Putu Sabda Jayendra  + (In Bunutin, a village on the edge of Batur caldera, Kintamani, lives Mongah, the fern men. There, Mongah have guarded the people from calamity for hundreds of years, —the greatest calamity born of human pride.)
  • Putu Nomy Yasintha  + (Indonesia known as a democratic country, bIndonesia known as a democratic country, but there are still many cases of intolerance, one of which is a large - scale intolerance towards minorities such as LGBTQ people. Indonesia still considered as one of the homophobic countries due to religious norms and rules that limit the movement of LGBTQ people. Indonesian society still lives in a social life that upholds the value of heteronormativity in which heterosexuals are normal people and others considered as abnormal. LGBTQ discrimination also occurs to many adolescents, they do not have free space </br>in society and are even unable to be who they really are even between family and closest friends. Education regarding gender and sexuality is necessary in Indonesian higher education institutions to be able to provide broader education to the community, especially adolescents, which in the end expected to increase public tolerance towards LGBTQ people. This study uses descriptive qualitative method by also distributing questionnaires anonymously at random to several informants. In addition, supporting data from various literatures used to support this research. The results showed that many LGBTQ adolescents felt marginalized by their family </br>and friends. They have not been able to show their sexual orientation without being afraid to get judgement from the public.g afraid to get judgement from the public.)
  • I Nyoman Ekaputra, S.Sos M.AP  + (It is said that Rsi Markandeya had a wife It is said that Rsi Markandeya had a wife named Dewi Dumara and then had a son named Rsi Dewa Sirah Pertami and Bhujangga Vaishnava. It is said that Rsi Markandeya was imprisoned on Mount Hyangg, it turned out that there he got many disturbances and then he moved to be imprisoned on Mount Raung, there he received a word from Hyang Jagat Natha who asked him to graze the forest to become rice fields and gardens to the Java area to the east. Then Rsi Markandeya penetrated the forest with yadnya facilities smoothly. After that he succeeded in making rice fields, mining gold and parts of it in the forest which was named Basukih Karanin Village. Named Basukih Karanin Village because there is no shortage of anything there or it can be said to be prosperous. There he planted five datu, gold, silver, copper and others. And also this Rsi Markandeya has another name, namely Ida Maha Rsi Hyang Nerada Tapa.me, namely Ida Maha Rsi Hyang Nerada Tapa.)
  • I Made Santika  + (Kidung Roga Mariana is one of the 5 best sKidung Roga Mariana is one of the 5 best songs at the Saraswati Sewana Literary Event which took place at Puri Kauhan Ubud. This song was created by a young writer who is still pursuing his final education at the Faculty of Cultural Sciences, Udayana University by taking the Balinese Literature Study Program. He who was born on January 4, 2000 is the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi. So many achievements that he has achieved, one of which has created his first song and became one of the best kidung. In Kidung Roga Mariana, it tells about eliminating an existing disaster or disease. Where the word "Roga" has the meaning of disease or disaster, the word "Mari" has the meaning of eliminating, and the word "Ana" has the meaning of being.d the word "Ana" has the meaning of being.)
  • Ida Bagus Gede Wirawibawa  + (Land Consolidation (LC), is the goverLand Consolidation (LC), is the government's solution in land acquisition for development. In addition, LC aims to improve the quality of the environment by rearranging plots of land to be more organized and equipped with environmental infrastructure, as well as land tenure in accordance with land use plans. The location of the land consolidation area in Seminyak Village which is close to the center of government, economy and tourism has implications for land use in the area. The phenomenon of land use that occurs in this region tends to ignore the spatial planning that has been determined by the government. If this condition is left unchecked, there will be more violations of land use that are not in accordance with the spatial allocation, leading to spatial conflicts and clutter in regional spatial planning. This study aims to identify changes in land use in the area of land consolidation in the Seminyak Village and the dominant factors underlying the changes in land use. Qualitative methods are used to identify changes in land use, and these dominant factors. Primary data obtained from observations, direct documentation, and the results of interviews with informants determined by purposive sampling. The results showed that there was a mismatch of land use with the plan for spatial planning in the area designated for settlement and green open space. The dominant factors underlying the changes in land use are law enforcement, then environmental factors, economicfactors, and socio-cultural factors. The results of this study can be input for the government in formulating policies relating to planning and controlling the use of space in order to create safe, comfortable and sustainable use of space. comfortable and sustainable use of space.)
  • I G W Murjana Yasa  + (Main development problem in developing couMain development problem in developing country is the contradiction between unemployment and poverty. It is caused by the strong relation between both problems. Poverty in so many cases mostly started by the lack access of productive human source to the job field. The complexity of the problem drive the worldwide commitment in reducing poverty all over the world by the draft of development goals, called Millennium Development Goals (MDGs). To promote the development, the effort to reduce poverty that mainly started by the unemployment must involve the society in participative platform. The participation pattern possibly reducing poverty to be more grounded, strengthen commitment between society in responsibility to reduce unwelfare . The local genius, for instance Lembaga Perkreditan Desa (LPD) that is own by the village association has the strategic role in reducing poverty trough the improvement of its social function beside the main function which is to improve the members welfare. The social function means the commitment and togetherness between member to institution and between members.member to institution and between members.)
  • Putu Herry Hermawan Priantara  + (Mamunjung is a form of respect and solidarMamunjung is a form of respect and solidarity with the deceased. It realizes by the family visiting their late relative in cemetery, then spend their time having meals together with the dead. The tradition has been practicing since the Hindu-Buddhist period. It is well developed both in Java and Bali. The community practices this activity on certain days, such as Galungan, Kuningan and Pagerwesi day while in Java, they carry out Memunjung during holidays such as Idul Fitri. Balinese Hindu offers Tampelan punjung and Banten punjung to the spirit of ancestors, families or relatives at home or cemetery. In certain days, the visitor brings the deceased’s favorite food to the cemetery then they enjoy the meal together with the dead. Recently, the custom to visit the grave is rarely done by Balinese, especially to those who live in regional areas that do not have strict rules about burial. Some argue that the increasing Balinese’s standard of living as well as technological advancements, contribute to change people mindset about the funeral in the present. Hence, there are only a few areas that are still practicing burial for the dead. are still practicing burial for the dead.)
  • Dewi Susiloningtyas  + (Ngurah Rai Forest Park (Taman Hutan Raya),Ngurah Rai Forest Park (Taman Hutan Raya), Bali is one of the mangrove forest conservation areas in Indonesia. Usually Ngurah Rai Forest Park, Bali are utilized for the benefit of research, science, education, culture, cultural tourism and recreation. The aim in this study to: (1) analyze perception of the community around Ngurai Rai Forest Park about mangrove ecosystem; (2) analyze participation of the community around Ngurai Rai Forest Park about mangrove management; (3) analyze the correlation between perception and participation of the community around Ngurah Rai Forest Park. The research was conducted in July 2017 in Denpasar, Ngurah Rai Forest Park Bali. This paper was based on primary data taken using questionnaire with a predetermined analysis unit to interview the community in the study area. The result presented with quantitative and descriptive analysis.ith quantitative and descriptive analysis.)
  • Arik Agustina  + (Plastic waste have been a problem for the Plastic waste have been a problem for the sustainability of tourism, especially Bali. Efforts to reduce plastic waste have been carried out by the government, such as the issuance of Denpasar Mayor Regulation Number 36 of 2018 and then followed by Bali Governor Regulation Number 97 of 2018. This paper aims to find out the opinions and changes in behavior of Balinese people, especially in Denpasar City after the enactment of the Denpasar Mayor Regulation and the Bali Governor Regulation about plastic waste. Data collection carried out through questionnaires distributed to tourists, students (tourism department), traders, the general public, and Lecturer. The result is everyone is aware of the government regulation on limiting single-use plastic bags, but some residents only know about the existence of government regulations without knowing where the regulations came from. Most of the people agree with the policy, but there are also people who disagree because the use of plastic bags is more efficient, however. This policy has led people to cultivate bringing their shopping bags.to cultivate bringing their shopping bags.)