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Dewi Dian Reich + (Portrait of Artist Sujana Suklu in the stu … Portrait of Artist Sujana Suklu in the studio drawing on novel. Exploring one of the Three Rooms of Art. Art by Interaction.Art by Interaction refers to a process touched by interactivity or collaboration. It is worthwhile to note the differences between interaction and collaboration are different. A collaborative process suggests mutual agreement, whilst interactions may occur within an art process that is not deliberate. All collaborations are interactions, yet not all interactions are collaborations.t not all interactions are collaborations.)
Dewi Dian Reich + (Portrait of Artistic Director and Visual Artist Dibal Ranuh.)
Dewi Dian Reich +
Dewi Dian Reich + (Portrait of artist Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Taken in June 2023.)
Dewi Dian Reich + (Portrait of contemporary artist Wayan Suas … Portrait of contemporary artist Wayan Suastama by Dewi Dian Reich. Environmental portraiture, in an unstaged environment. Naturally depicting the artists studio workshop. Taken in early 2023 whilst cataloguing the artists works.'Through the creative process, you learn to have honest conversations with yourself. That leads inevitably to peace in your life. That’s a gift of positivity.' ~ Wayan Suastama’s a gift of positivity.' ~ Wayan Suastama)
Dewi Dian Reich + (Portrait of contemporary artist Putu Bonuz … Portrait of contemporary artist Putu Bonuz Sudiana by Dewi Dian Reich. In Sawidji Studio. A multi disciplinary contemporary artist well known for his powerful abstract style. Putu Bonuz Sudiana is a dynamic and progressive artist with a creative charisma that attracts a wide range of audiences. His contributions have been in painting, installation, music, performance art and poetry.lation, music, performance art and poetry.)
Dewi Dian Reich + (Reflecting on the nature of Time and our r … Reflecting on the nature of Time and our relationship to the Earth and Spirit through a conceptual journey. Ref exhibition guide https://sawidji.com/2022/12/13/kala-and-the-guardians-a-timely-reflection/Kala is known to come with many definitions. Among these are time, death, performing arts, and specific deities in Hinduism, Javanese and Balinese mythologies. Yet, despite the many origin stories, there is a connecting thread that Kala is all of those manifestations. However, in this Collaboration, Kala is our canvas. Here Kala is defined specifically through her manifestation as TIME. Kala is experienced through the conceptual portraits of the two Guardians representing our Earthly World and our Spiritual World. The portraits of the Guardians of Earth and Spirit were created through a combination of installations and the photography of Dewi Dian and ManButur Suantara. The paintings of Nyoman Handi respond to the questions and reflections raised by the Guardian portraits.lections raised by the Guardian portraits.)
Tjandra Hutama + (Rejang is a sacred Balinese dance, a sacri … Rejang is a sacred Balinese dance, a sacrificial dance in which the girls symbolically offer themselves to the gods. It is held in the Hindu Temples of Klungkung Regency and Karangasem Regency in Bali, Indonesia. ‘Rejang’ means ‘offering’. This dance is performed to greet the gods that descend to the Earth.In this series ‘Rejang, a Beautiful Reminder of Impermanence’, the themes of beauty, impermanence and time are explored. Tjandra Hutama has won many awards in photography competitions. It is the saturation of pictorial beauty that he encountered throughout those years that prompted this need to reflect something deeper about our perception of beauty. To remind us of its impermanence and of its limitations.(Read full article at Sawidji Gallery reference cited)rticle at Sawidji Gallery reference cited))
Dewi Dian Reich + (Sawidji Comes Home is a celebration of our … Sawidji Comes Home is a celebration of our new home in the historic part of Plawa Denpasar, with a collection of works from our artist collective. A wonderful exposition of dynamic, multi-disciplinary creative voices. We celebrate each individual passion, fixation, obsession, compulsion of each artist that is at the core of their creative drive. What compels them to create in this pure and selfless way. As artists we go through such a personal and intimate process, often filled with some form of struggle in the self, only to give birth to the physical form of an idea. This in itself is a wonder, a powerful seed that nourishes arts’ growth.Exhibition Catalogue https://sawidji.com/portfolio/sawidji-comes-home//sawidji.com/portfolio/sawidji-comes-home/)
Nyoman Butur Suantara + (Tari Topeng Wayang Wong at Pura Taman Pule … Tari Topeng Wayang Wong at Pura Taman Pule. In the moments before the ceremony.., quiet, sombre and unmasked.The next chapter of the Living Maks of Bali: Sacred Wayang Wong of Pura Taman Pule. The portraits taken by ManButur are part of a series in an article 'Dancing Memories of Wayang Wong' by Sawidji Gallery.mories of Wayang Wong' by Sawidji Gallery.)
Ni Luh Sutjiati Beratha + (This article analyses the phenomena of … This article analyses the phenomena of language related to the prescription of beauty from Balinese Traditional Manuscript (Lontar) entitled Lontar Indrani Sastra (Indrani Sastra Manuscript). The beauty of recipe in the Lontar Indrani Sastra is an ancestry cultural inheritance which has been already merged with the lives of the Balinese. Bali is famous because has conserved traditional manuscripts that become cultural heritage of the island. This article does not only apply the method of library research and field research but also descriptive qualitative method. The theory that is used to analyze the data is the theory of language functions. The function of beauty ecolexicon in the Lontar Indrani Sastracan be divided into three functions, namely (1) informative function, (2) interactive function, and (3) imaginative function. The informative function relates to various information about beauty prescription plants, body parts that can be treated and methods of treatment. Interactive functions are found through dialogue between Dewi Saci and Rukmini. Similarly, imaginative functions are discovered through the use of metaphors such as crocodile’s calla (panggal buaya) and the Arjuna ecolexicons.panggal buaya) and the Arjuna ecolexicons.)
Dewi Dian Reich + (Topeng Dalem. The King, the Mask and the D … Topeng Dalem. The King, the Mask and the Dance.Topeng Dalem represents the King, Dalem Waturenggon, associated with the Golden Age of Balinese Kingdom of Gelgel during the 16th century. He is known within this narrative as loving, benevolent and wise. A compassionate King. That is why, according to Kadek Sudiasa, in order to carve and capture the essence of Topeng Dalem is difficult. To capture the calm and gentleness of this King, with what he describes as having a particular softness around the eyes. It is this very subtlety within his character that makes it difficult to capture. He lacks the obvious characteristics that are embodied in Topeng Keras or Topeng Tua.For Full article https://sawidji.com/2023/07/19/topeng-dalem-the-truth-of-a-king/23/07/19/topeng-dalem-the-truth-of-a-king/)
Kadek Sudiasa + (Topeng Tuli is part of Topeng Bondres. It … Topeng Tuli is part of Topeng Bondres. It was performed in the past as entertainment during ceremonies and community events. This mask was made by Kadek Sudiasa for 'World Without Sound, an Anthology' Exhibition at Sawidji Gallery."Those who can not hear, do not think lightly or less of them.. because they have something extra, something special that other people may not have. God's creation is full of balance and fairness. If they do not have enough in their power of hearing.. they have something else that is extra that we may not see." ~ Kadek Sudiasaxtra that we may not see." ~ Kadek Sudiasa)
Dewi Dian Reich + (World Without Sound is an Anthology of art … World Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.The Spirit of InclusivityOur invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
Nyoman Butur Suantara + (“Magic is seeing wonder in nature's every … “Magic is seeing wonder in nature's every little thing, seeing how wonderful the fireflies are and how magical are the dragonflies.” ― Ama H.VanniarachchyPhotography by ManButur Suantara that explores Macro photography, specifically only using natural light in natural environments with no staging.The dictionary definition of Macro Photography is simply taking a picture extremely close up, bigger than life-size. Macro photography is all about showcasing a subject larger than it is in real life — an extreme close-up of something small. A full-frame insect in a five-by-seven-inch photo and a four-inch product shot of a cornflake go well above life-size: both are examples of macro photography. - both are examples of macro photography. -)

Dewi Dian Reich + (Portrait of Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Fine Art Photography.)

I Nyoman Ekaputra, S.Sos M.AP + (It is said that Rsi Markandeya had a wife … It is said that Rsi Markandeya had a wife named Dewi Dumara and then had a son named Rsi Dewa Sirah Pertami and Bhujangga Vaishnava. It is said that Rsi Markandeya was imprisoned on Mount Hyangg, it turned out that there he got many disturbances and then he moved to be imprisoned on Mount Raung, there he received a word from Hyang Jagat Natha who asked him to graze the forest to become rice fields and gardens to the Java area to the east. Then Rsi Markandeya penetrated the forest with yadnya facilities smoothly. After that he succeeded in making rice fields, mining gold and parts of it in the forest which was named Basukih Karanin Village. Named Basukih Karanin Village because there is no shortage of anything there or it can be said to be prosperous. There he planted five datu, gold, silver, copper and others. And also this Rsi Markandeya has another name, namely Ida Maha Rsi Hyang Nerada Tapa.me, namely Ida Maha Rsi Hyang Nerada Tapa.)
Nyoman Butur Suantara + ("My memories of the Legong dance.. growing … "My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ SuantaraExcerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.Read full article in image reference link.Read full article in image reference link.)
Dewi Dian Reich + ('Dance is an ancient art that is intrinsic … 'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
Dewi Dian Reich + ('Doa' is part of a series of images in 'Ka … 'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
Dewi Dian Reich + ('Lost Signal' is part of Photography Serie … 'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer."My Grandfather speaks and walks these streets. He use to hold my hand,My Grandfather is ageless, his vision sharp and wisdom deep,Where is our playground? Why does he stumble?Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice?Did you not know there are sharp nails and broken glass that would cut his naked feet?roken glass that would cut his naked feet?)
Nyoman Butur Suantara + ('Melodious Urban' is a new work by ManButu … 'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.Do we relate to noise as a disturbance? Does quiet mean peace?Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
Dewi Dian Reich + ('Red Chair and the White Room is a mixed m … 'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.Excerpt:This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
Nyoman Butur Suantara + (A collection images in black and white by … A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
Dewi Dian Reich + (A portrait of artist Sujana Suklu in a col … A portrait of artist Sujana Suklu in a collaboration with Dewi Dian Reich. Exploring the Three Rooms of Art. Art by Interaction in the studio.Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today. is actively growing in communities today.)
Wayan Sujana Suklu + (Awang #1, Acrylic on canvas by Sujana Suklu, 2023. Explore the collection at Sawidji Gallery. Awang #1 by Suklu is part of his Mata Kerta Gosa Series.)
Wayan Sujana Suklu + (Awang #3, Acrylic on Canvas by Sujana Suklu, 2023. Explore the collection by contemporary artists at Sawidji Gallery. Awang #3 by Suklu is part of his Mata Kerta Gosa Series.)
Wayan Suastama + (Bisikan Pada Awan. by Wayan Suastama. Orig … Bisikan Pada Awan. by Wayan Suastama. Original artwork, acrylic on canvas. Exhibited in ‘World Without Sound, an Anthology’ at Sawidji Gallery April – May 2023.About the artist Wayan Suastama.‘Bisikan Pada Awan’ translates as ‘Whispers to the Clouds’ is a new work by Wayan Suastama. Since 1995 he has exhibited his works in joint and solo exhibitions, both at home and abroad. Suastamas’ works often feature female figures, a wide range of colours and textures, as a symbol of the regenerative and creative force. His new series which includes ‘Whispers to the Clouds,’ explores in detail the philosophical theme of ‘upstream and downstream’ in our relationship to the balance in Nature.“In the quiet, these are the moments we can reflect. As a person who loves nature, I think of these whispers in Nature. When there is a change in the seasons.. the clouds still are messengers.. without language or words the clouds are messengers of nature that tell us that it is going to rain. The World Without Sound is perhaps where we see Nature’s language more clearly. It brings us back to our true selves.rly. It brings us back to our true selves.)
Dewi Dian Reich + (Cappucino and Croissants, 2023 Dewi Dian R … Cappucino and Croissants, 2023Dewi Dian ReichFine Art Giclee Print60cm x 100cmCappucino and Croissants is part of a series that take Topeng Tua across different social and urban landscapes. There are references here to traditional identity, suggested tones of displacement and estrangement. The layers of meaning we can unravel here to reflect upon is truly open ended. You may even find humor here. open ended. You may even find humor here.)
Putu Eka Guna Yasa + (Dasaksara Hanoman Baligraphy consists of t … Dasaksara Hanoman Baligraphy consists of two forms, namely Kayonan and Hanoman. Dasaksara is described in Kayonan. The Dasaksara are the ten wijaksara that connect the human self (microcosm) and the universe (macrocosm). Dasaksara consists of ten wijaksara, namely Sang, Bang, Tang, Ang, Ing, Nang, Mang, Śing, Wang, Yang. The ten wijaksara come from the eight wianjana characters (sa, ba, ta, na, ma, si, wa, and ya) and two sound characters (a and i). If these ten wijaksara are strung together they form a sentence: sabatai nama siwaya which is a prayer to glorify Dewa Siwa. However, only a few Dasaksara are visible in the kayonan because they are covered by Hanoman's body. Wijaksara seen is Ong, Ang, Ung, Mang, Sang, Bang, miwah Tang.Hanoman is a character in the epic Ramayana. Hanuman is the son of Dewi Anjani. Dewi Anjani is an angel who was cursed and born into the world as a female vanara. The curse ends when she gives birth to an incarnation of Siwa's son. Dewi Anjani is married to Kesari. Kesari and Dewi Anjani performed intense meditation to beget Dewa Siwa as their son. Because Kesari and Dewi Anjani were firm in their asceticism, Dewa Siwa granted their request and descended to earth as Hanoman.If interpreted, Dasaksara Hanoman Baligraphy is a form of glorification of Dewa Siwa which is manifested in the figure of Hanoman.ch is manifested in the figure of Hanoman.)
Wayan Sujana Suklu + (Epilogue by Suklu. Acrylic on Canvas, 2023. Explore the collection of contemporary art at Sawidji Gallery. Epilogue by Suklu is part of his Mata Kerta Gosa Series.)
Dewi Dian Reich + (Five artists from various fields of art ac … Five artists from various fields of art active in the Sawidji Artist Collective explore the question ‘what makes us human?’ This is a collaboration titled “Manus, a Conscious Journey” which opened on December 15, 2023, and will be open to the public until February 3, 2024. The exhibition is a Sawidji Collaboration working in partnership with Sudakara Art Space, Sanur, Bali, Indonesia.The artists involved in the Manus collaboration are Dibal Ranuh, Made Kaek, Nyoman Butur Suantara, Tjandra Hutama, and Dian Dewi. The five artists who have strong, militant and proven “colours” in their respective fields unite and dissolve in “Manus”.Multi-disciplinary art collaboration including painting, sculpture, photography, digital media and film installation art., digital media and film installation art.)
Nyoman Butur Suantara + (Green Lizard by ManButur Suantara, explore … Green Lizard by ManButur Suantara, explores macro photography using only natural light in natural surrounds.The wonderful, beautiful sometimes fearsome world of Nature under the Macro lens is one that is astounding in its own right. To look so closely upon Natures private little gardens that we did not have the privilege to see so closely until recently in history. Visit the macro gallery at https://sawidjistudio.com/gallery/macro-gallery///sawidjistudio.com/gallery/macro-gallery/)
Nyoman Butur Suantara + (I See Fire. ManButur Suantara shares his e … I See Fire. ManButur Suantara shares his experience and photography of the Ter-Teran fire ritual in the village of Jasri, Karangasem Bali on March 21st 2023. The full account and series of works by ManButur Suantara is published online at sawidjistudio.com/2023/03/31/i-see-fire/ This ritual is known as Ter-Teran held in the village of Jasri in Karangasem Regency Bali. This ritual is held to keep the evil spirits away so that the silent day of Nyepi will be able to pass peacefully, quietly and with blessing...Ter Teran is held only once every two years. and this is spontaneous without staging or planning. In other villages, this type of fire war enactment is ritualised whereas the process is a little bit more free-flowing, here in Ter Teran in Jasri. The atmosphere is truly mystical. It is not something planned or scripted. There are not many tourists as this is not a common attraction. There is a wildness about it. It does not look like a demonstration set up to cater to an audience. The sacred energy of this ritual still feels very strong.gy of this ritual still feels very strong.)
Tjandra Hutama + (In this series ‘Rejang, a Beautiful Remind … In this series ‘Rejang, a Beautiful Reminder of Impermanence’, the themes of beauty, impermanence and time are explored. Tjandra Hutama has won many awards in photography competitions. It is the saturation of pictorial beauty that he encountered throughout those years that prompted this need to reflect something deeper about our perception of beauty. To remind us of its impermanence and of its limitations.Physical beauty that is subject to decay and deconstruction is merged with representations of the spiritual and sacred. Elements that are timeless and infinite. Within the layers of Rejang images, the beauty of the dancers is merged with the textures of broken-down buildings, decaying walls, brittle wood, leaves, rust, ash and dust. Despite this, what we see is still beautiful. These textures that are introduced into the work represent the five elements known as Panca Maha-Bhuta. The elements that are the basis of all cosmic creation as believed in Hinduism.l cosmic creation as believed in Hinduism.)
Dewi Dian Reich + (It is believed that the Barong Landung is … It is believed that the Barong Landung is the manifestation of a royal couple, the King Jayapangus and his Chinese Consort Kang Cing Wie.The story goes, that the royal couple were deeply in love but after many years had not been blessed with children. In need of a successor, the King went to Mount Batur to meditate and seek guidance. As he meditated there he met and took as his second wife the Dewi Danu. The daughter of the Goddess of Lake Batur. It is after this second marriage that conflict continued to haunt the family of the King Jayapangus. In summary, The Goddess of the Lake, angry to see her daughter hurt and betrayed. Because of this She destroyed King Jayapangus and his first wife Kang Cing Wie. Read related articles at www.sawidji.com Read related articles at www.sawidji.com)
Dewi Dian Reich + (Kala and the Guardians Reflecting on the n … Kala and the GuardiansReflecting on the nature of Time and our relationship to the Earth and Spirit through a conceptual journey.A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.Kala and the Guardians conceptualise an abstract idea. The primary themes that we explore here are Kala, Earth and Spirit. In and of themselves, their nature. In addition to seeing these three entities separately, the threading of them together in this collaboration is to ask you to explore your relationship to each of these elements.Kala, Earth and SpiritKala is known to come with many definitions. Among these are time, death, performing arts, and specific deities in Hinduism, Javanese and Balinese mythologies. Yet, despite the many origin stories, there is a connecting thread that Kala is all of those manifestations. However, in this Collaboration, Kala is our canvas. Here Kala is defined specifically through her manifestation as TIME. Of the three characters that we introduce, Kala is the faceless one. She is not represented as a portrait, or in a painting. Yet, she is present in them and in a significant way. That is also part of our display and exploration of Time. Part of the reflections in which Sawidji invites you to contemplate.How different art mediums reinforce the message..Kala is experienced through the conceptual portraits of the two Guardians representing our Earthly World and our Spiritual World. The portraits of the Guardians of Earth and Spirit were created through a combination of installations and the photography of Dewi Dian and ManButur Suantara. The paintings of Nyoman Handi respond to the questions and reflections raised by the Guardian portraits.Collaboration, More Than Just a WordAll the mediums present in this collaboration bring very different qualities. Sawidji leads with photography. However, the photographic works are actually partners to installation pieces. Installation pieces that we created together as a team. The making of the costumes and studio installations together as a team is truly at the heart of each of our collaborations. A seed of an idea may be singular, but as it germinates and grows, all the contributing elements are what make it possible for it to flourish and blossom. Much the same for Sawidji Collaborations.The artists that come together agree on the message. We feel the same about the message. It resonates in each of us. With this trust and agreement, we move together throughout the day and create together, the best embodiment of our concept. There is in fact a lot of freedom. A lot of room for each person to spontaneously make changes and try new things. There is no shortcut to the process. Our work is a result of going through a growth and maturing process for each concept, and this is done together.Online Exhibition available for viewing https://sawidji.com/2022/12/13/kala-and-the-guardians-a-timely-reflection/ala-and-the-guardians-a-timely-reflection/)
Nyoman Butur Suantara + (Landscape photography is very satisfying w … Landscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. This image was taken in Yeh Malet in Karangasem regency Bali. Pantai Yeh Malet is actually best known for its Wates Beach, for its sandy black sand that reflects light. Often through popularity, one aspect of a region gets exposure and we often don't see the many layers of beauty that are present every day. Like in this image. Not the sunny popular black sand beach, but in the evening, life of the village still goes on.vening, life of the village still goes on.)
Nyoman Butur Suantara + (Mt Agung as seen from Mahagiri. Landscape … Mt Agung as seen from Mahagiri. Landscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. All places on earth have their natural beauty. Its Technical, Zero Exposure takes a look at the fundamentals of lighting in photography. With beautiful examples from ManButurs' Landscape Photography.les from ManButurs' Landscape Photography.)
Dewi Dian Reich + (Natures' Blossoms Portraiture Series. With … Natures' Blossoms Portraiture Series. With our undeniable bond and complex relationship to that of our own visage and that of others, the exploration of portraiture continues. This time moving away from the individuality of self or our own personalities albeit psychologies. Instead we explore the identity of something greater than ourselves. An exercise of empathy through the only way we know best.. through our own human limitations and emotive perceptions. A portrait of Nature through hypothetical ages and experiences. Read full article in image reference link.Read full article in image reference link.)
Dewi Dian Reich + (Nungkalik International Art Festival Art F … Nungkalik International Art FestivalArt Festival debuting in 2023 by Institute of Art Denpasar, founded on themes discussed by Dr. Sujana Suklu. Featuring Artists Bambang Herras, Agung Gunawan, Martina Feirtag, Diwarupa, Made Kaek, Putu Bonuz Sudiana, Robert Martin, Galung Wiratmaja, Steve Bolton, Dewi Dian Reich, Ketut Sumerjana and Dr. Mas Ruscitadewi.Nungkalik International Art Festival. An introduction to a contemporary art festival debuting this year in Bali that is in its early stages already showing signs of extraordinary possibilities. In nature Nungkalik is bold, experimental and conceptual. Centred on the idea offered by artist and lecturer Dr. Sujana Suklu that artists on a daily basis are subconsciously learning a universal intuitiveness whilst responding to the world throughout their lives.That is to say, whether through their movements, musical or visual expressions as well as verbal interactions. Their bodies and memories compile experiences that keep developing and transforming with each day that passes. Their sensitivity to phenomena that occurs outside of themselves inevitably gets stronger and becomes a substantive sensitivity in their respective internal worlds. We may say this transforms into an instinctive sensitivity that does not require conscious deliberation when external elements circle close to their internal world.The Premise of Nungkalik Art FestivalArtists are invited to participate in this experimental study, from different backgrounds, geographic locations as well as varying creative disciplines. Throughout the festival, community members with specialty areas in sociology, psychology, education and music were also invited to participate and observe. The global theme for the Nungkalik International Art Festival 2023 was introduced as ‘Exploring Archetypes’ with specific explorations on associated concepts during each workshop day.Participating artists were involved in these workshops together with members of the Fine Arts and Performance Arts student body. Our day beginning with a discussion circle. Together exchanging thoughts and ideas about the proposed themes and the significance of the chosen mediums. Within these discussions, it is interesting how very naturally, abstract ideas and concepts were articulated by all artists.full article.. https://sawidji.com/2023/07/27/nungkalik-festival-art-and-its-sacred-paradox/kalik-festival-art-and-its-sacred-paradox/)