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A list of all pages that have property "Biography example text" with value "The Guardian". Since there have been only a few results, also nearby values are displayed.

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  • Adrian Vickers  + (Published exactly 50 years after Gregory BPublished exactly 50 years after Gregory Bateson's and Margaret Mead's "Balinese Character" (which still stands as a standard reference on Balinese culture), this study of the Balinese people - a collaboration between a Western psychiatrist with wide experience of Balinese culture and a Western-trained Balinese psychiatrist - finds their basic assumptions inherently flawed. The study concludes that their book presents an inaccurate and misleading characterization of the Balinese as they were 50 years ago. In addition to this critique, the authors present their alternative formulations of psychosocial aspects of Balinese culture, their aim being to establish a more correct and valid portrayal of the life of the Balinese.lid portrayal of the life of the Balinese.)
  • Drs. I Nyoman Aris  + (Pupuh Kadiri is taken from the sekar madya or kidung piscarana which tells the story of the angel Menaka seducing Sang Ari Dharma who was left behind by his empress.)
  • Dewi Dian Reich  + (Reflecting on the nature of Time and our rReflecting on the nature of Time and our relationship to the Earth and Spirit through a conceptual journey. Ref exhibition guide </br></br>https://sawidji.com/2022/12/13/kala-and-the-guardians-a-timely-reflection/</br></br>Kala is known to come with many definitions. Among these are time, death, performing arts, and specific deities in Hinduism, Javanese and Balinese mythologies. Yet, despite the many origin stories, there is a connecting thread that Kala is all of those manifestations. However, in this Collaboration, Kala is our canvas. Here Kala is defined specifically through her manifestation as TIME. </br></br>Kala is experienced through the conceptual portraits of the two Guardians representing our Earthly World and our Spiritual World. The portraits of the Guardians of Earth and Spirit were created through a combination of installations and the photography of Dewi Dian and ManButur Suantara. The paintings of Nyoman Handi respond to the questions and reflections raised by the Guardian portraits.lections raised by the Guardian portraits.)
  • Tjandra Hutama  + (Rejang is a sacred Balinese dance, a sacriRejang is a sacred Balinese dance, a sacrificial dance in which the girls symbolically offer themselves to the gods. It is held in the Hindu Temples of Klungkung Regency and Karangasem Regency in Bali, Indonesia. ‘Rejang’ means ‘offering’. This dance is performed to greet the gods that descend to the Earth.</br></br>In this series ‘Rejang, a Beautiful Reminder of Impermanence’, the themes of beauty, impermanence and time are explored. Tjandra Hutama has won many awards in photography competitions. It is the saturation of pictorial beauty that he encountered throughout those years that prompted this need to reflect something deeper about our perception of beauty. To remind us of its impermanence and of its limitations.</br>(Read full article at Sawidji Gallery reference cited)rticle at Sawidji Gallery reference cited))
  • Ida Bagus Gede Paramita  + (Research on Geguritan Cokli uses a socioloResearch on Geguritan Cokli uses a sociological analysis. The approach used is a calibative approach. Data collection uses the method of reading, translating and listening to Cokli’s Geguritan Text. The method of analysis, carried out in a descriptive-qualitative way by using the working stages of the theory of sociology of literature and combined with the theory of structure. The results of the analysis are presented in a systematic and structured manner. The results of this study provide an answer that the existence of a literary work can be a reflection of the state of society at that time, although there are some things that are sometimes no longer relevant to use.t are sometimes no longer relevant to use.)
  • Nyoman Butur Suantara  + (Rider)
  • Dewi Dian Reich  + (Sangeh Monkey Forest. A Forest Memory, theSangeh Monkey Forest.</br>A Forest Memory, the Power of Memory and the Secrets of a Sacred Forest</br>Memory is mysterious. Memory can hold such power over us over a lifetime. It can be strong and clear or hazy and weak. Whether we see Memory or not, it is there, taking residence in the back of our minds. Shaping our perceptions, our actions and choices. Memory shapes us from very early on. This recording of our experiences. The stories that get replayed in our minds that tells us who we are. Where we come from and perhaps where we belong. we come from and perhaps where we belong.)
  • Dewi Dian Reich  + (Sawidji Comes Home is a celebration of ourSawidji Comes Home is a celebration of our new home in the historic part of Plawa Denpasar, with a collection of works from our artist collective. A wonderful exposition of dynamic, multi-disciplinary creative voices. </br></br>We celebrate each individual passion, fixation, obsession, compulsion of each artist that is at the core of their creative drive. What compels them to create in this pure and selfless way. As artists we go through such a personal and intimate process, often filled with some form of struggle in the self, only to give birth to the physical form of an idea. This in itself is a wonder, a powerful seed that nourishes arts’ growth.</br></br>Exhibition Catalogue </br></br>https://sawidji.com/portfolio/sawidji-comes-home//sawidji.com/portfolio/sawidji-comes-home/)
  • I Nyoman Marsa  + (Seated Balinese woman. 1980)
  • Fred Eiseman Jr.  + (See https://vimeo.com/342382168 for interview of Fred Eiseman by Daniel McGuire.)
  • I Putu Sutawijaya  + (Sekeliling Kehidupan (Around Life) conjureSekeliling Kehidupan (Around Life) conjures the primal intensity of the kecak dance, as dozens of brass figures are captured in hypnotic movement, with their legs squatting as if to balance themselves while their upper bodies let loose. They are gathered in a circle, yet rather than being planted on the ground, the bodies are suspended in air, as if floating towards a higher plane. The brass medium blurs distinctive features on the individual figures, making them blend seamlessly together into a larger body. Here, Sutawijaya employs sculpture to poignantly capture the sacredness and transcendence felt when dance, ritual and community come together in harmony.al and community come together in harmony.)
  • Ida Arimurti Sanjiwani  + (Sexual education is an important think thaSexual education is an important think that parents can do to prevent free sex and it effects in adolescent. It is possible because family is the first place of education, but it appears to be inadequately practiced in Indonesia. This study aims to determine parent experience to provide sexual education in adolescents. We used a phenomenology interpretative approach in this study. We collected the data through in-depth interviews with ten parents. We found five themes: (1) good perception about sexual education, (2) sexual education delivered assisted by social media, (3) the topic is free sex, (4) difficult to start because of taboo and shame, (5) need support from health worker. The study reveals that sexual education is limited and need to be increased. It is essential that Indonesian parents become better informed and skilled, so that they may be involved in the sexual education of adolescent start from their family.ion of adolescent start from their family.)
  • Dewi Dian Reich  + (Social and Culture represented to discuss Social and Culture represented to discuss some of the issues that are affecting the longevity and authenticity of traditional practices in Bali today. Issues such as commercialisation of art and culture and its potential impacts on generations from today.</br></br>"It is not the lack of change that we should admire here. For there is definitely change. it would be foolish to deny that. It is the effort and the collective commitment that has survived even to this degree the ravaging changes that time and progress has brought everywhere else. I admire the fact that there is evidence that change may come, but there is still choice."ange may come, but there is still choice.")
  • Luh Putu Kirana Pratiwi  + (Sustainable tourism development is directeSustainable tourism development is directed at developing environmentally</br>friendly urban tourism. The revitalization of rivers in Denpasar City is one of the work programs of the Denpasar City government that aims to provide ecological education to the surrounding community can also have economic value. Traditionally, the river is a sacred area that deserves to be preserved in realizing the activities in the wisdom of Tri Hita Karana, namely maintaining good relations with God, nature and humans, so that the presence of water in Bali continues to maintain its quality and quantity. An important strategy to find out the potential for ecotourism development in urban areas is the empowerment of surrounding communities in the tourist area. Community empowerment is a vital unit related to physical, material, economic and income aspects, institutional aspects (growth of</br>individual strengths in the form of groups / groups), strength of cooperation,</br>intellectual strength, and shared strength to comply with and apply the principles of empowerment. The principle of ecotourism has an inseparable part by minimizing the negative impact of the surrounding environment through conservation efforts by maintaining the quality of the environment and local culture, as well as being able to empower the economy of the surrounding community. the economy of the surrounding community.)
  • Nyoman Butur Suantara  + (Tari Topeng Wayang Wong at Pura Taman PuleTari Topeng Wayang Wong at Pura Taman Pule. In the moments before the ceremony.., quiet, sombre and unmasked.</br>The next chapter of the Living Maks of Bali: Sacred Wayang Wong of Pura Taman Pule. The portraits taken by ManButur are part of a series in an article 'Dancing Memories of Wayang Wong' by Sawidji Gallery.mories of Wayang Wong' by Sawidji Gallery.)
  • Ade Irgha  + (test)
  • Agus Teja Sentosa  + (test)
  • Rosvita Flaviana Osin  + (The area of Nyambu and Baru Marga Village,The area of Nyambu and Baru Marga Village, Tabanan Regency is very potential to be developed. This village has interesting natural characteristics, unique social and cultural life. In its development, it is necessary to pay attention to the existence of the millennial generation where currently tourism travel is dominated by millennials and grows in a digital environment. This research is a descriptive qualitative research and quantitative descriptive. Qualitative research is used to determine the role of the millennial generation in developing tourist villages. Quantitative research is conducted to determine the characteristics and motivation of millennial tourists by using frequency analysis. This study used 100 respondents who represented the characteristics and motivations of millennial tourists in Bali as well as semi-structured interviews with 6 people who needed to be known. The results of this study indicate that the age group between 20-25, totaling 75 people, is a potential market in promoting and introducing more about Nyambu and Baru Marga tourism villages. The highest number of millennial tourists visiting tourist villages is from the type of work as students as much as 46%. It is known that the majority of tourists visiting tourist villages are male with a percentage of 54%. Motivation is a determining factor for millennial tourists to take a tour of the survey results of 100 respondents, 76% stated that visiting the tourist village of Nyambu and Desa Baru Marga Tabanan because of natural attractions.ga Tabanan because of natural attractions.)
  • Bagas Tri Prastyo  + (The cone-shaped of Kayonan in shadow puppeThe cone-shaped of Kayonan in shadow puppets symbolize human life. The higher the knowledge and the older the age, The higher the knowledge and the older the age, humans must increasingly conical unite the Soul, Sense, Creation, Initiative, and Work in our lives (closer to the God).and Work in our lives (closer to the God).)
  • I G W Murjana Yasa  + (The COVID - 19 pandemic has a huge impact The COVID - 19 pandemic has a huge impact on the lives of Balinese citizens. The aim of this study is to find the right steps and frameworks that reduce the spread and death caused by COVID - 19 as quickly as possible with minimum impact on the socioeconomic sustainability of the island. Preventive measures are needed, especially for the Field</br>Facilitator Staff as the front guard, so that the BSPS program channelled adequately.</br>The key to smooth distribution, in addition to the precise mechanism, must also follow</br>the government's recommendations and implement health protocols. The results show that the population and employment structure of Bali has</br>high potential for the spread of the COVID-19 pandemic. This is due to the high level of</br>population mobility, both population mobility between regions within the country and</br>population mobility between countries. The second cause is the Balinese population</br>structure consists of many elderly people, thus causing a high potential case fatality</br>rate from a pandemic. Based on the results of the study, it is recommend minimize the</br>possibility of the spread of covid-19 through the first and second rapid tests involving</br>as many residents that potential to be covid-19 deployment carrier, both through local</br>transmission and imported cases.ugh local transmission and imported cases.)
  • Gede Benny Setia Wirawan  + (The COVID-19 pandemic has constituted The COVID-19 pandemic has constituted concurrent public health and economic crises. An inter-correlation between economic and public health impacts due to the COVID-19 pandemic needs to be studied to improve mitigation measures. This study identified a correlation of the economic insecurity and perceived stress with adherence to recommended preventive behaviours. This across-sectional analytic study was conducted to adults in the working areas of East Denpasar Primary Healthcare Center I. Respondents were selected using consecutive sampling and given a self-administered questionnaire. The research variables included demographic characteristics, economic insecurity indicators, perceived stress, and adherence to handwashing, mask-wearing, physical distancing, and limitation on the social gathering. Correlations, linear regressions, and path analyses were conducted using IBM SPSS 23.0. As many as 161 respondents of which 34.2% males were involved had a mean age of 36.31 (± 7.16) years. Sex, job insecurity, income insecurity, and perceived stress were found as independent determinants in females. Female sex and job insecurity was associated with better preventive behaviours with an adjusted β value of 0.276 and 0.306, while income insecurity and perceived stress had the opposite association with a β value of -0.247 and -0.224. There are correlations between economic insecurity and preventive behavioural practices during COVID-19. It is suggested that public health policies against COVID-19 cover measures of economic safety nets to improve adherence economic safety nets to improve adherence)
  • Dewi Dian Reich  + (The Dancer. When a Dance carries such a moThe Dancer. When a Dance carries such a monumental heritage, its substance is often disconnected from a much larger audience. Those who study the culture and its arts and are dancers themselves have a deeper well of understanding of the art. Perhaps relating to the dancer is a good way to appreciate the dance. A human element that we can all understand. human element that we can all understand.)
  • Ni Putu Tirka Widanti  + (The diversity of the language of the envirThe diversity of the language of the environment of Green School Bali needs to be studied, especially the treasury of green ecolexicon as they reflect strategical effort to preserve local wisdom of Balinese culture. This study used a descriptive qualitative approach. Data was obtained from the Green School Bali educational environment by using observation and interviews method. The results shown that the grammatical category of the ‘green’ lexicon is in the form of nouns and verbs that are in the form of basic words and phrases and the ‘green’ syntactic construction at Green School Bali contains these natural lexicons, including noun phrases such as bambu hitam ‘black bamboo’, and verb phrases such as bermain Jegog ‘play Jegog’ while the social praxis dimension of the green ecolexicon namely the ideological dimension, the sociological dimension and the biological dimension. This research also uniquely contributes to preserving the concept of local wisdom in real action in the context of international education in Bali.ontext of international education in Bali.)
  • Putu Ayu Sani Utami  + (The elderly is vulnerable to hypertension The elderly is vulnerable to hypertension due to the accumulation of unhealthy lifestyles for a long time and can be exacerbated by the stress due to the inability to adapt to the decline in physical conditions, changes in roles and social relations, economic ability, degenerative diseases and treatment in the long term. Risk factors for hypertension can caused by stress. Stress management can be done with a combination of creative arts therapy that is singing, drawing, and storytelling which has a relaxing effect. This study aims to determine the effect of creative arts therapy on stress levels and blood pressure of the elderly with hypertension in Kesiman Kertalangu Village, East Denpasar City, Bali, Indonesia. This research was a quasi-experiment with pre - test and post - test design. Samples used were 63 elderly with hypertension who experience mild and moderate stress using simple random sampling technique divided into three groups of treatment with the amount 21 elderly of each groups. Stress level of hypertension were evaluated using The Stress Assessment Questionnaire and blood pressure measurement using manometer. The main results of this study indicated that creative art therapy can reduce stress of the elderly significantly with p value 0.000<0.05. An average of blood pressure in creative art therapy has decrease d. Wilcoxon test results showed the p value of blood pressure (sistole;diastole) for singing (0.002;0.014), storytelling (0.009;0.008) and drawing (0.016;0.011) <0.05 which means that there is an effect of those therapy on elderly blood pressure. The results of the Ancova analysis showed no difference in blood pressure results after each intervention was given to the elderly (p value 0.244>0.05 for systole dan p value 0.738>0.05 for diastole). That means that each intervention has a similar effect on reducing blood pressure. Creative arts therapy provides a relaxing effect while performing art activities so that feeling calms down and stimulates the healing process. Further research with a larger population needs to be done to increase public awareness of the benefits of creative art therapy to reduce stress and blood pressure in the elderly with hypertension.s and blood pressure in the elderly with hypertension.)
  • I Wayan Suda  + (The exhibition title ‘Paon‘ comes from theThe exhibition title ‘Paon‘ comes from the Balinese word for ‘kitchen’. Its meaning is likened more towards the word tearth’; simply and literally, a hearth is a fireplace that keeps the whole house warm. Figuratively it is a source of comfort for the inhabitants of the house. For Sadu, the ‘paon‘ is not merely a kitchen but also a place for gathering in a traditional Balinese home. It is where fire and water meets, and a place which keeps the family fed and happy.</br></br>Each painting is a vivid snapshot of Sadu’s childhood home in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. In Sadu’s family home, his elderly parents have a traditional paon or kitchen which is designed to be used for communal and wood-fire cooking. Sadu reminisce that it is the kitchen they have inherited from his grandmother, and although it’s been renovated, the firewood stove and traditional kitchen tools, like in the paining ‘Topo‘ which is a traditional woven water filter, is still being used.</br></br>Listening to Sadu talk about each painting and its subject matter, they represent his pride towards Balinese ingenuity. He commemorates these traditional innovations and honor them through his paintings. In ‘Lenggatan Gantung‘, it is a simple admiration to the traditional hanging kitchen rack that is made with bamboo and wood. These racks hang the beams of a traditional wood-frame standalone pavilion in a typical Balinese compound home, and they are tied either with a natural fiber and hung without the use of modern nails. and hung without the use of modern nails.)
  • Mark Hobart  + (The Imaginary of Bali as paradise stands iThe Imaginary of Bali as paradise stands in stark contrast to what is actually going on. To understand the split requires examining who is authorized to represent Bali as what under what conditions. The issue concerns the nature of argument – whether argumentation and disagreement – and how it disarticulates and marginalize alternatives. The preferred, hegemonic style of argument in Bali is monologue, favoured by those in power, which effectively anticipates and prevents contradiction. By contrast, dialogue is open, democratic and widespread in daily life, but often passes relatively unnoticed. Whereas dialogue enables discussion and problem-solving, monologue re-asserts ideology in the face of uncomfortable actualities. In Bali, the form ideology takes centres on fantasies about an imaginary ‘age-old culture’. The drawbacks are evident in how claims over the cultural antiquity of Tri Hita Karana disguise its grave shortcomings in practice.sguise its grave shortcomings in practice.)
  • Gusti Agung Bagus Ari Maruta  + (The imposing 170 x 140 cm painting depictsThe imposing 170 x 140 cm painting depicts the legend of Balinese and Chinese acculturation from the 12th-century, immortalised by the cultural icon Barong Landung. Barong Landung is the embodiment of the king of Bali, Raja Jaya Pangus who married a beautiful Chinese lady Kang Cing Wei. The tale has manifested into large ceremonial male and female figurines called ‘Jero Gede’ and ‘Jero Luh’.</br>A broad, grinning expression immediately draws us to ‘Jero Gede’. To his right, his wife’s face appears to be embellished with a grey beard. A gold and black aura hovers over the couple framed by Chinese and Balinese dragons united as one. Bali’s volcanic skyline, bulbous cloud motifs in pastel tones, water motifs, both reinterpretations of the classical icons, and lotus flowers and leaves describe the background. The couple adorn a fabulously ornamented tunic, painstakingly depicted in a multitude of beautiful colours and motifs.</br></br>Review and photo by Richard Horstmanifs. Review and photo by Richard Horstman)
  • Putu Marmar Herayukti  + (The imposing 600 by 400 by 250 cm wood andThe imposing 600 by 400 by 250 cm wood and papier-mâché sculpture had an important, timely message. Made from sustainable items with traditional Balinese techniques that pushed the levels of materiality, ‘Pejuang Adat’ (Indigenous Warriors), was the artist’s bold call to his people. A traditional sailing vessel perched dangerously upon the crest of a wave and destined for disaster, ‘Pejuang Adat’ is a metaphor for the current plight of the Balinese society, that according to the artist, lacks in leadership and is without a strong vision for the future.is without a strong vision for the future.)
  • Bart Verheijen  + (The island of Bali has been inextricably bThe island of Bali has been inextricably bound up with the tourism industry. This article examines the dynamic Balinese cultural identity and its ever-changing relationship with tourism in the age of globalism through the analysis of a case study: the construction of the Garuda Wisnu Kencana Cultural Park (between 1993–2018), containing an enormous statue of the Hindu God Wisnu mounting the magical bird Garuda. The park and statue can be seen as a new cultural landmark for the Indonesian nation and for the Balinese tourism industry. However, the case study of the park also shows how Bali has changed its role within the Indonesian archipelago since the fall of the Suharto regime in 1998 while dealing with new challenges of global tourism. Representations of a Balinese cultural identity have evolved from national, top-down level constructions of ‘cultural tourism’ into a global tourist destination through hosting international events at the park. hosting international events at the park.)
  • I Nyoman Darma Putra  + (The island of Bali has been inextricably bThe island of Bali has been inextricably bound up with the tourism industry. This article examines the dynamic Balinese cultural identity and its ever-changing relationship with tourism in the age of globalism through the analysis of a case study: the construction of the Garuda Wisnu Kencana Cultural Park (between 1993–2018), containing an enormous statue of the Hindu God Wisnu mounting the magical bird Garuda. The park and statue can be seen as a new cultural landmark for the Indonesian nation and for the Balinese tourism industry. However, the case study of the park also shows how Bali has changed its role within the Indonesian archipelago since the fall of the Suharto regime in 1998 while dealing with new challenges of global tourism. Representations of a Balinese cultural identity have evolved from national, top-down level constructions of ‘cultural tourism’ into a global tourist destination through hosting international events at the park. hosting international events at the park.)
  • Antonio Maria Blanco  + (The legend of Cinderella is found in many The legend of Cinderella is found in many forms all over the world. Here is my version: There are four girls; three are very ugly and egotistical. The Step Mother hates Cinderella, the fourth girl, and harasses her constantly. Cinderella finally leaves home and, when she reaches the mountains, Magic Birds befriend her and shower her with gifts of gold, diamonds and love. This legend ends with a Handsome Prince marrying Cinderella and they live happily ever after.nderella and they live happily ever after.)
  • Dewi Dian Reich  + (The Living Masks of Bali is our series thaThe Living Masks of Bali is our series that explores and celebrates Balinese traditional masks. We return today with a close-up look at Topeng Tua, the Old Mask. A conversation with Dancer and Mask Maker Kadek Sudiasa of Mas Ubud. A series of portraits of Topeng Tua. Accompanied by a conversation with Kadek Sudiasa, who explores his relationship and memories with Topeng Tua. As a dancer and as a mask maker.peng Tua. As a dancer and as a mask maker.)
  • Sylvine Pickel-Chevalier  + (The number of Balinese women taking tourisThe number of Balinese women taking tourism education at various levels appears to be increasing in line with the development of tourism education institutions and the tourism industry in Bali. This article analyzes the motivation of Balinese women in pursuing higher education in tourism, starting from the Bachelor level to the doctoral program. By applying a qualitative method, this article collects data through interviews with 30 Balinese women who have taken tourism education at various levels. The results show that Balinese women are motivated to take tourism education</br>for several reasons, including the motivation to get a job in the tourism sector, they have families who work in the tourism sector, and they live in Bali which has more job opportunities in the tourism sector. By taking tourism education, Balinese women who were informants in this study proved that they had found better jobs and career opportunities in the tourism industry. Their experiences have also become a source of inspiration for other Balinese women to take the same career path.linese women to take the same career path.)
  • Putu Sucita Yanthy  + (The number of Balinese women taking tourisThe number of Balinese women taking tourism education at various levels appears to be increasing in line with the development of tourism education institutions and the tourism industry in Bali. This article analyzes the motivation of Balinese women in pursuing higher education in tourism, starting from the Bachelor level to the doctoral program. By applying a qualitative method, this article collects data through interviews with 30 Balinese women who have taken tourism education at various levels. The results show that Balinese women are motivated to take tourism education</br>for several reasons, including the motivation to get a job in the tourism sector, they have families who work in the tourism sector, and they live in Bali which has more job opportunities in the tourism sector. By taking tourism education, Balinese women who were informants in this study proved that they had found better jobs and career opportunities in the tourism industry. Their experiences have also become a source of inspiration for other Balinese women to take the same career path.linese women to take the same career path.)
  • Luh Mira Puspita  + (The nutritional problem in young children The nutritional problem in young children particularly nutrition deficiency and over nutrition are still exist. Nutritional intake is one of the most outstanding factors in determining children’s nutritional status. Providing adequate nutrition for children </br>is influenced by their mothers’ knowledge. Hence, by giving health education to mothers was expected to increase mothers’ knowledge in providing adequate nutrition for their children. Regarding this, the information was delivered to mothers by using booklet as the health education media. The aim of present study was to analyze the influence of health education towards the mothers’ knowledge in providing nutrition for their children. This study was a pre experimental study with one group pretest-posttest design. The population of the present study were mothers who have children aged under five years old and living in working area of East Denpasar I primary health care center. In order to decide the location (banjar) of the study, the simple random sampling was used. Meanwhile, the total sampling was used to recruit the mothers in the selected location. The Wilcoxon Test was performed since the data not normally distributed (α = 0.05, CI = 95%). Finding showed that there was a significant difference in mothers’ knowledge before and after given health education about providing nutrition for their children. Health providers particularly the primary health care centers should provide health education to mothers about adequate nutrition </br>continuously. about adequate nutrition continuously.)
  • Luh Mira Puspita  + (The nutritional problem in young children The nutritional problem in young children particularly nutrition deficiency and over nutrition are still exist. Nutritional intake is one of the most outstanding factors in determining children’s nutritional status. Providing adequate nutrition for children </br>is influenced by their mothers’ knowledge. Hence, by giving health education to mothers was expected to increase mothers’ knowledge in providing adequate nutrition for their children. Regarding this, the information was delivered to mothers by using booklet as the health education media. The aim of present study was to analyze the influence of health education towards the mothers’ knowledge in providing nutrition for their children. This study was a pre experimental study with one group pretest-posttest design. The population of the present study were mothers who have children aged under five years old and living in working area of East Denpasar I primary health care center. In order to decide the location (banjar) of the study, the simple random sampling was used. Meanwhile, the total sampling was used to recruit the mothers in the selected location. The Wilcoxon Test was performed since the data not normally distributed (α = 0.05, CI = 95%). Finding showed that there was a significant difference in mothers’ knowledge before and after given health education about providing nutrition for their children. Health providers particularly the primary health care centers should provide health education to mothers about adequate nutrition </br>continuously. about adequate nutrition continuously.)
  • Luh Putu Kirana Pratiwi  + (The objective of agricultural development The objective of agricultural development is to increase the income of farmers and agriculture business actors. The primary problem is the limited capital owned by the farmers. This study determines agribusiness activities and analyze the effectiveness of the Integrated Agribusiness Cooperative on the income level of farmers in Subak Guama, Tabanan Regency, Bali Province. The research subject is the Subak Guama farmers who receive capital assistance, and the object is the income of farmers. This study used quantitative data with descriptive statistical analysis, namely paired sample t-test. The results showed that: (1) The Subak Guama carries out: integrated rice management activities, rice-livestock integration activities; and task to strengthen household business capital, namely independent business loans; (2) There is a difference in the level of farming income of Subak Guama farmers before and after receiving capital assistance for agribusiness cooperatives of 7.24% with an effective level of 86.69% with effective criteria.e level of 86.69% with effective criteria.)
  • NDM Santi Diwyarthi  + (The pandemic situation and the strict healThe pandemic situation and the strict health protocols implemented have resulted in a decrease in tourist visits and a decrease in hotel occupancy rates. The government and hotel management conduct a variety of potential businesses for the accommodation services business. One of the things that area trend for tourists is to choose attractive, safe and comfortable accommodation, return to nature, and avoid large crowds during the Covid-19 pandemic. The alternative presented by accommodation service entrepreneurs is glamping. The method of applying quality of service in glamping management is to provide CHSE (cleanliness, health and safety, and sustainability environment), in each glamping management department, such as the front office department, housekeeping department, food and beverages department. Participants in this activity are all glamping management employees in Kembang MertaTourism Village. Kembang MertaTourism Village has succeeded in showing the readiness of glamping management in accepting tourists with the CHSE procedure.ccepting tourists with the CHSE procedure.)
  • I Made Lasmawan  + (The piece was composed for Gamelan SemaranThe piece was composed for Gamelan Semarandana, a seven-tone “pelog” tuned gamelan. Like many other new compositions in Balinese Gamelan called "Kreasi Baru," Pak Made uses traditional techniques such as many kotekan, dramatic dynamic contrast, style and solo instrument work. The idea behind this piece is how the Balinese people use water in Bali for all aspects of their life: religion, farms, villages and businesses: religion, farms, villages and businesses)
  • Ramanda Dimas Surya Dinata  + (The problems faced in the last seven yearsThe problems faced in the last seven years is how some public places in Bali, one of that is Balangan beach area of Badung Bali has happened commodification practice space since the existence of photo pre wedding phenomenon. How the natural space in the area is commercialized and raises complex problems in it. The purpose of this article is to know more deeply what causes the practice of commodification in the Balangan beach area and the impact of any commodity practices. Sources of data obtained through qualitative methods include observation and interviews, and analyze it by using critical theory such as commodity theory covers the production, distribution, and consumption, and then linked with the concept of human ecology. Based on the results of the analysis, the practice of commodification in the phenomenon of photo pre wedding in Bali, especially in the area of Balangan occurs because influenced by several factors, among others, the community considers pre wedding photos as something exclusive, and worth the additional cost, employment backgrounds of local people who are still in category lower middle and region that mostly controlled by foreign investors caused the economic gap between outsiders and insiders in commodification area of Balangan beach. The problems are not only marginalized communities, especially communities around the region also poorly managed systems include the management of informal and controlled by foreign investors.ormal and controlled by foreign investors.)
  • I Gusti Bagus Rai Utama  + (The purpose of this study is to analyze hoThe purpose of this study is to analyze how effective is the impact of government</br>policies on the implementation of physical distancing as social-ethical behavior of Balinese people in responding to these policies. A survey was conducted for data collection using an online question instrument filled by 109 people of various backgrounds and ages. Having an analysis of the data, the overall conclusion is that the physical distancing appeal did not significantly influence several activities that could predictably increase COVID-19 transmission in Bali. On the same side that the COVID-19 outbreak felt by respondents harmed their jobs in Bali which are still dominated by the tourism sectors. It appears that there are two contradictions between physical distancing calls that are considered to interfere with the work activities of respondents, but on the other hand, if it is not done physical distancing, it is predicted that the outbreak of COVID-19 will be getting worse. This research recommended to reduce the spread of the COVID-19 outbreak, the government can lock down territories or perhaps on a national scale with cautious policy while still considering the adequacy of food, communication networks, electricity, and water for the community at regionally or nationally so that people do not get out home to work.o that people do not get out home to work.)
  • Desak Ayu Putu Suciati  + (The purpose of this study is to design a fThe purpose of this study is to design a form of optimizing the role of the pecalang in helping to organize common order and public order organized by the Covid-19 Pandemic Prevention Task Force Team. This study is descriptive-qualitative writing which uses and collects more information by exploring every social phenomenon that occurs. The division of authority for the administration of common order and public order held by the Bali Provincial Civil Service Police Unit in an effort to prevent the Covid-19 pandemic experienced many obstacles. It is necessary to optimize the role of the pecalang in helping to organize common order and public order organized by the Covid-19 Pandemic Prevention Task Force Team.id-19 Pandemic Prevention Task Force Team.)
  • I Wayan Muka  + (The purpose of this study is to obtain datThe purpose of this study is to obtain data from each OPD of the Province of Bali relating to the implementation of E-Government (SPBE), determine the conditions of implementing E-Government (SPBE) in the Province of Bali and determine strategic steps to increase the level of maturity index of the SPBE of the Province of Bali. The evaluation evaluation method is done through measuring the level of maturity based on the e-Government Maturity Model (eMM). This study revealed that the main weaknesses in the implementation of</br>SPBE in Bali Province, especially in some OPDs that provide public services, were the</br>lack of integration of applications or systems and the still weak human resources and</br>IT infrastructure in each OPD. The steps that need to be taken are to formulate the SPBE Development Master Plan which has completeness on the side of the SPBE vision and mission load, SPBE architecture, SPBE road map as well as the integration of application systems and the use of general applications as a whole.he use of general applications as a whole.)
  • Arya Lawa Manuaba, Ida Bagus  + (The SALCON virus outbreak hits Bali. Nagapuspa has not been found. Epsilon is furious. Haricatra disappears as if swollen by the Earth!)
  • I Wayan Phala Suwara S.Pd.H.,M.Pd  + (The song widya usadha contains a pupuh demThe song widya usadha contains a pupuh demung, containing a long crew member and a long crew member, a long crew member and a long pengawit. This song is inspired by the state of our environment during the corona virus pandemic. Kidung widya usadha tells of human anxiety in the midst of a pandemic who begs the creator for constant guidance so that the temptations of this pandemic do not make people lose their minds, can still be optimistic and always work. Where knowledge must be strengthened because knowledge will develop over time, one of which is during a pandemic.r time, one of which is during a pandemic.)
  • Dr. Anak Agung Gde Alit Geria, M.Si.  + (The story of Uwug Kengetan begins with theThe story of Uwug Kengetan begins with the story of the journey of Ida Dalem Kresna Kepakisan, who reigns in the Samplangan kingdom of Gianyar. His presence in Samplangan was a blessing from the king of Majapahit who ordered the main patihs and the aryas of Majapahit, including Arya Kapakisan from the descendants of Kadiri, to be willing to accompany and maintain maximally and faithfully the presence of Ida Dalem Kresna Kapakisan in Bali. The story of Uwug Kengetan, which is full of religious historical values, was composed into the Bali Purwa poem in the form of geguritan. Presented in the form of two scripts (Balinese and Latin), equipped with a number of illustrations based on the main content of the story.ns based on the main content of the story.)
  • I Nyoman Wardi  + (The study was conducted in 2008 in GianyarThe study was conducted in 2008 in Gianyar, Badung and Denpasar. The goal was to inventory and describing the residential waste management system conducted by the Balinese, and to identify the various problems faced in community-based waste management. To achieve these objectives was done by gathering data through observation, interview and literature study. The collected data were analyzed by descriptive qualitative. The results showed that some of the constraints faced by village institution in waste management, namely: 1) low level of public awareness, 2) the difficulty of getting land for a depot for waste management; 3) the condition of garbage in front of the house (TPS) are not disaggregated (organic and inorganic waste mixed), 4) waste transportation time is not correct 5) lack thrasher; 6) marketing of compost that is not smooth and very limited; 8) waste processing workers’ health problems, and 9) the limited presence of operational funding for waste management. Socio-cultural-based waste management can be done to actualize and enhance the role of traditional institutions (traditional village/</br>banjar) as its support the vision and mission of Tri Hita Karana; change the paradigm of the Balinese culture (cultural engineering) in waste management; actualization of cultural values and the sanctity of the environment (resource of vital nature) and area / sanctuary, reviving the tradition of mutual help to clean of the environment, promoting efforts to 3 R (reduce, reuse and recycle) waste of rural community residents; enhance the active role of housewives (PKK) in waste management, implementation of household and environmental management rules (waste) effectively through the mechanism of reward and punishment in the form of customary rules (awig-awig).n the form of customary rules (awig-awig).)
  • Margaret Coldiron  + (The visual and choreographic parallels betThe visual and choreographic parallels between Japanese and Balinese mask traditions are striking, and, though the exact interrelationship between masks of these two cultures cannot be proven with historically verifiable data, juxtaposition of the similar genres is useful for understanding mask dance. The masks discussed are the dog/lions Shishi ( Japan) and Barong (Bali), the witch-like Hannya ( Japan) and Rangda (Bali), and the sacred old men Okina ( Japan) and Sidha Karya (Bali). Possible links include cultural diffusion and patterns of human perception. However, the visual language in which these mask characters are expressed and the mythology that delineates them probably comes from Indian Tantric models.probably comes from Indian Tantric models.)
  • Anthony Paul Gentile  + (The “Bridge” between these two panels is aThe “Bridge” between these two panels is a piece of canvas I placed on a rooftop much too close to Mt. Agung when it was threatening an all out eruption. I left it there for a couple of weeks and it collected the volcanic ash and whatever else the volcano spewed. The result is a work not as much made in Bali, but actually Made BY Bali. </br>“The Bridge” part of the “Forces of Nature” project; an ongoing study and documentation of the effects of Nature.nd documentation of the effects of Nature.)
  • Made Mantle Hood  + (There are several communities in the highlThere are several communities in the highlands of Bali in Indonesia that still maintain large antique orchestras of bronze gongs and metallophones called gamelan gong gede. These gamelan have been preserved as essential implements of local ritual-music associations that have protected them from change for generations. In contrast, much of the rest of the island abandoned gong gede in the early twentieth century in favor of modern gamelan. Inseparable from its highland ritual context, gong gede endure in Bali’s remote highlands because they are inseparable from ritual context, which has resulted in musical diversity within the broader ecosystem of Balinese music. </br></br>This diversity simultaneously marginalizes communities to some degree from mainstream musical innovation. However, it also empowers local ritual music associations within sophisticated social networks that play a major role in protecting and preserving these ancient antique orchestras. Using a ‘pluralism of musical structures’ as an analytical framework for discussing musical diversity, this article looks at how highland communities protect and maintain gong gede as ‘living traditions’ by examining their history, social context and musical style to see what keeps local traditions from succumbing to mainstream musical trends.m succumbing to mainstream musical trends.)