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A list of all pages that have property "Biography example text" with value "http://dictionary.basabali.org/Melasti". Since there have been only a few results, also nearby values are displayed.

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  • Fitri Amalia Rhamadani  + (Deviations in the behavior of foreign tourDeviations in the behavior of foreign tourists often occur in Badung Regency. Forms of deviant behavior include aggressive behavior, behavior against authority, disrespectful behavior and stupid behavior. The need for a preventive social control effort in anticipating the occurrence of deviations in the behavior of foreign tourists in the future. Determination of informants using purposive sampling and snowball sampling. Data collection is done by observation, interviews, literature study, and documentation. Data analysis techniques using qualitative analysis with the creditability test and the dependability test. The discussion resulted in a model of the construction display framework of preventive social control in Badung Regency, which was formed based on facts or the phenomenon of behavior deviations that often occur. In the introduction of the forms of deviant behavior of foreign tourists there are 4 forms and have a total of 17 behaviors and the total forms of such deviations require social control with a preventive approach. In the preventive approach there are 10 ways that can control foreign tourists to deviate. The role of tourism stakeholders (local communities, government and tourism entrepreneurs) is needed to distribute Do's and Don't's in Bali brochures. The brochure will later contain supporting pictures or illustrations to attract the reader's interest, understand the meaning in each sentence. Preventive social control material by dividing 3 material is presented, namely: Do's in Bali, Do's in Bali, and Why in Bali. After the mechanism for distributing brochures is carried out by stakeholders and there is still a deviation of tourist behavior, the next stage of violators will be subject to sanctions.of violators will be subject to sanctions.)
  • Ni Made Ayu Marthini, M.Sc.  + (Director of Bilateral Negotiations, Ni MadDirector of Bilateral Negotiations, Ni Made Ayu Marthini won the title of the Best Three in the Exemplary Pratama High Leadership Officer (PPT) Category in the 2021 State Civil Apparatus (ASN) Award. This event was organized by the Ministry of State Apparatus Empowerment and Bureaucratic Reform.ratus Empowerment and Bureaucratic Reform.)
  • Wayan Sujana Suklu  + (Epilogue by Suklu. Acrylic on Canvas, 2023. Explore the collection of contemporary art at Sawidji Gallery. Epilogue by Suklu is part of his Mata Kerta Gosa Series.)
  • John Darling  + (Episode 1: between the mountain and the seEpisode 1: between the mountain and the sea. This is the first part of Bali Triptych, a film by John Darling (1988). </br>This film explores the geological and cultural influences which have contributed to the evolution of Balinese cosmology, that is dominated by ancestor worship. </br>The film also narrates the turbulent history of the Balinese people. turbulent history of the Balinese people.)
  • Dewi Dian Reich  + (Explores what lies within the character ofExplores what lies within the character of ‘Topeng Keras’. One of the sacred Masks that appear in Topeng Babad. One of Bali’s oldest and most sacred Dance Mask Rituals. A series of portraits exploring the character that resonates within the Mask 'Topeng Keras', the dance and the dancer. And the realtionship between the three.r. And the realtionship between the three.)
  • Kadek Sudiasa  + (Explores what lies within the character ofExplores what lies within the character of ‘Topeng Keras’. One of the sacred Masks that appear in Topeng Babad. One of Bali’s oldest and most sacred Dance Mask Rituals. A chapter in our series The Living Masks of Bali.</br></br>Topeng Keras is one of 5 characters that appear in the Topeng Babad Ceremonial Dance (refer to ‘Topeng Babad Today‘). Amongst these are Topeng Ratu (the Kings’ Mask) Topeng Tua (Old Mask) Topeng Sidakarya (Sidakarya Mask) Topeng Bondres (Common Peoples’ Mask). Kadek explains that according to the rules of mask making in Bali, the first mask is Topeng Keras. Topeng Keras is a ‘Patih’ (Minister of the King) The word Patih or Pepatih is a regent title that was traditionally used among Austronesian polities of insular Southeast Asia. In the first place, it denoted the chief minister of a kingdom or a traditional regency. The word originates from the Sanskrit word Patih meaning maintainer, master or guide.Patih meaning maintainer, master or guide.)
  • Dewi Dian Reich  + (Five artists from various fields of art acFive artists from various fields of art active in the Sawidji Artist Collective explore the question ‘what makes us human?’ This is a collaboration titled “Manus, a Conscious Journey” which opened on December 15, 2023, and will be open to the public until February 3, 2024. The exhibition is a Sawidji Collaboration working in partnership with Sudakara Art Space, Sanur, Bali, Indonesia.</br></br>The artists involved in the Manus collaboration are Dibal Ranuh, Made Kaek, Nyoman Butur Suantara, Tjandra Hutama, and Dian Dewi. The five artists who have strong, militant and proven “colours” in their respective fields unite and dissolve in “Manus”.</br></br>Multi-disciplinary art collaboration including painting, sculpture, photography, digital media and film installation art., digital media and film installation art.)
  • I Ketut Soki  + (Flowers)
  • Aldwin Yusgiantoro  + (Frequent blackouts in Jakarta have a multiFrequent blackouts in Jakarta have a multiplier effect on the country’s national and economic security, as well as Jakarta’s development toward becoming a smart city. Two policy options for the government explained in this article would be to reform PLN management and introduce smart grid technology.ement and introduce smart grid technology.)
  • Dodit Artawan  + (From Exhibition LINES UPON RHYTHM DecemberFrom Exhibition LINES UPON RHYTHM December 2022 at Vin Gallery Vietnam:</br>He took his focus in a unique way by highlighting the shapes and designs of mass products that are available in the market. Those commodities are commonly found</br>and displayed everywhere with bright colours which can also be found in his artwork characteristics producing wonderful compositions.</br></br>“Lines” will be the main feature in this show, to present how he’s adopting and appropriating the lifestyle of contemporary society closely related to consumerism. Creating lines with rhythm and drawing with bright colours while at the same time, he’s playfully criticising and celebrating contemporary society often becomes</br>irrational when lured by consumerism. And the rhythm composition of colours and lines will reenact fantasies that capitalism has done to their products.hat capitalism has done to their products.)
  • Agus Teja Sentosa  + (From the album Flute for Love https://www.youtube.com/watch?v=HGpI5718rp4)
  • Agus Teja Sentosa  + (From the album Rhythm of Paradise https://www.youtube.com/watch?v=L2I7hZqC7lY)
  • Agus Teja Sentosa  + (From the album Sundara https://www.youtube.com/watch?v=qfnJ43JSawQ)
  • Agus Teja Sentosa  + (From the album Ulah Egar https://www.youtube.com/watch?v=PjLnOM2KPSA)
  • Duo Saraswati  + (Gamelan music composed by Colin McPhee played on cello and piano)
  • I Made Lasmawan  + (Gamelan Tunas Mekar performing Pekeling ("Gamelan Tunas Mekar performing Pekeling ("Remembrance"), composed by I Made Lasmawan, at DecorAsian in Denver, Colorado on February 27, 2010. Pekeling is a contemporary composition that, in Pak Made's words, "Is a reflection on the Gods that give me direction in this life." </br></br>This video features Tunas Mekar performing using the gamelan angklung and ceng-ceng kopyak instruments.angklung and ceng-ceng kopyak instruments.)
  • Drs. I Wayan Selat Wirata  + (Geguritan literary works that tell the meaning and philosophy of matatah)
  • Ida Ketut Djelantik  + (Geguritan Sucita-Subudi is one of his workGeguritan Sucita-Subudi is one of his works that is known to many people, why is that? Because this geguritan contains Balinese cultural concepts such as Dharma, Tri Hita Karana, Kala Patra Village, Rwa Bhineda, and Karmaphala. </br></br>Dharma is one of the important concepts in Hinduism. Dharma is often equated with truth, virtue or duty and law. Dharma is likened to a smooth and very cool path that can protect and help people who follow that path from disaster. One who practices the Dharma is called "Dharmika". People who practice dharma only want one thing that is eternal and eternal happiness not the false happiness caused by worldly things. </br></br>Tri Hita Karana is the concept of harmonious relationship that can bring happiness. The harmony of the relationship includes three things, namely the harmony of human relations with God, the harmony of human relations with fellow humans and the harmony of human relations with the surrounding natural environment. In the Geguritan Sucita-Subudi, the concept of harmony between humans and God is called an unreal or spiritual relationship, while the concept of harmony between humans and humans and the relationship between humans and the natural environment. </br></br>Rwa Bhineda is a dualistic concept that reflects two opposite categories in life, such as good and bad or positive and negative. In the Geguritan Sucita-Subudhi, this concept is explained implicitly or indirectly in the expression in something called "Byakta" or something that exists always contains two things that unite. This concept implies that in this world nothing is perfect except God. Everything has advantages and disadvantages at the same time.</br></br>Karmaphala is one of the five belief systems in Hinduism called Panca Sradha. Karmaphala comes from the words karma 'action' and phala 'fruit' which is defined as the result of one's actions. The essence of the notion of karmaphala is that a cause will produce an effect. </br></br>Geguritan Sucita-Subudi consists of 1841 stanzas. Of the many stanzas that are formed by 11 kinds of pupuh. The eleven kinds of pupuh are Sinom, Pangkur, Durma, Ginanda, Ginanti, Kumambang, Warga-sari, Pucung, Semarandhana, and Sadpada Ngisep Sekar. Among these pupuh the most frequently used is the Sinom pupuh, which is 15 times. The use of these pupuhs in the Geguritan Sucita-Subudi is selected and adjusted between the duties or character of each pupuh.een the duties or character of each pupuh.)
  • Ni Luh Wida Apriliani, S.Pd  + (Geguritan Tamba Sastra was created at the Geguritan Tamba Sastra was created at the Literary Creation event, Sastra Saraswati Sewana Pamarisuddha Gering Agung at Puri Kauhan, Ubud. Geguritan Tamba Sastra by Ni Luh Wida Apriliani S.Pd. this is included in the 5 best works in the geguritan category at the Literary Creation event. Geguritan Tamba Sastra is bound by 8 Pupuhs, which include pupuh sinom, pupuh sembaradana, pupuh maskumambang, pupuh pucung, pupuh pangkur, pupuh ginanti, pupuh ginada and also pupuh durma.</br>This geguritan is very interesting because it tells about the beginning of the Corona virus that hit the world, especially in Indonesia where Mother Earth experienced a very deep sorrow that was hit by Covid-19. Various ways have been done to prevent this virus but because for so long this virus has caused the condition of society to be increasingly destroyed due to not working, according to the economy, many people have committed crimes because of the many criminal acts that have occurred in Indonesia. And in the end, the President of Indonesia, Mr. Jokowi, remembered one very important thing in life, where these guidelines are the main key to literature, namely Pancasila, which is the 5 foundations of the Republic of Indonesia. The Corona virus is actually a medicine, not a disease because it makes us aware of the 5 important things contained in the 5 basic principles of our country, namely Pancasila.</br></br>The values contained in Geguritan Tamba Sastra are religious values, social values and also human values.lues, social values and also human values.)
  • Dewi Dian Reich  + (Getting to know the Sacred Masks of Bali, Getting to know the Sacred Masks of Bali, through the perspectives of the artists whose lives are intimately intertwined. The character of the 'Hard Mask' and a Mask Makers' and dancers experiences with it.. excerpt from article..</br> </br>"Topeng Keras is one of 5 characters that appear in the Topeng Babad Ceremonial Dance (refer to ‘Topeng Babad Today‘). Amongst these are Topeng Ratu (the Kings’ Mask) Topeng Tua (Old Mask) Topeng Sidakarya (Sidakarya Mask) Topeng Bondres (Common Peoples’ Mask). Kadek explains that according to the rules of mask making in Bali, the first mask is Topeng Keras. Topeng Keras is a ‘Patih’ (Minister of the King) The word Patih or Pepatih is a regent title that was traditionally used among Austronesian polities of insular Southeast Asia. In the first place, it denoted the chief minister of a kingdom or a traditional regency. The word originates from the Sanskrit word Patih meaning maintainer, master or guide."atih meaning maintainer, master or guide.")
  • Nyoman Butur Suantara  + (Green Lizard by ManButur Suantara, exploreGreen Lizard by ManButur Suantara, explores macro photography using only natural light in natural surrounds.</br>The wonderful, beautiful sometimes fearsome world of Nature under the Macro lens is one that is astounding in its own right. To look so closely upon Natures private little gardens that we did not have the privilege to see so closely until recently in history. Visit the macro gallery at https://sawidjistudio.com/gallery/macro-gallery///sawidjistudio.com/gallery/macro-gallery/)
  • Richard Fox  + (Grounded in ethnographic and archival reseGrounded in ethnographic and archival research on the Indonesian island of Bali, More Than Words challenges conventional understandings of textuality and writing as they pertain to the religious traditions of Southeast Asia. Through a nuanced study of Balinese script as employed in rites of healing, sorcery, and self-defense, Richard Fox explores the aims and desires embodied in the production and use of palm-leaf manuscripts, amulets, and other inscribed objects.</br></br>Balinese often attribute both life and independent volition to manuscripts and copperplate inscriptions, presenting them with elaborate offerings. Commonly addressed with personal honorifics, these script-bearing objects may become partners with humans and other sentient beings in relations of exchange and mutual obligation. The question is how such practices of "the living letter" may be related to more recently emergent conceptions of writing—linked to academic philology, reform Hinduism, and local politics—which take Balinese letters to be a symbol of cultural heritage, and a neutral medium for the transmission of textual meaning. More than Words shows how Balinese practices of apotropaic writing—on palm-leaves, amulets, and bodies—challenge these notions, and yet coexist alongside them. Reflecting on this coexistence, Fox develops a theoretical approach to writing centered on the premise that such contradictory sensibilities hold wider significance than previously recognized for the history and practice of religion in Southeast Asia and beyond. of religion in Southeast Asia and beyond.)
  • I Nengah Jati  + (He has one of the kidung literary works enHe has one of the kidung literary works entitled tungtung urip, tungtung urip himself tells how the situation and conditions from the covid-19 pandemic are, how the condition of the community in dealing with the virus must always think positively and always comply with health protocols.y and always comply with health protocols.)
  • Putu Dyatmikawati  + (Hindu society in Bali still retaining a paHindu society in Bali still retaining a patrilineal culture in social life. There are differences in inheritance rights between men and women in patrilineal culture system. Women did not have any right to inherit from their parents. While the issue of equality, fairness, the right to inherit their parents and etc., urged the patrilineal culture is more flexible and gives the right to women to inherit property from their parents. The development of knowledge, the law and the influence of new paradigms that are present in society, pressing the old system order to be able to accept the development of society. The Assembly of Pakraman Village(Majelis Desa Pakraman) Bali No. III of 2010 has taken the initiative to give women the right to inherit, limited tojoint property of her parents. This paper aims to analyze the development of customary law in Bali on, setting the women's right to inherit,because the constitution guarantees every citizen equal treatment before the law and society. By using the juridical research, will be examined how national laws and customary laws in Bali positioned the women, the right to inherit from their parentsn, the right to inherit from their parents)
  • Nyoman Butur Suantara  + (Hope)
  • Rio Helmi  + (http://dictionary.basabali.org/Melasti)
  • I Gde Nala Antara  + (I Gede Nala Antara pinaka Development TeamI Gede Nala Antara pinaka Development Team Governor of Bali pinaka Keynotespeech maosang indik Bali madué the potential of sané ageng civilization. Silih sinunggil, based on sané ngawinang, Balinese madué, based on panglimbak kawagedan, manusané, sané, strong santukan, Balinese madué, soang-soang script. So akéh local language sané wénten ring Indonesia, Balinese language wantah silih tunggil base sané madué script. "Wantah script silih single means of communication, mawinan digital application innovation ngengén Balinese script prasida kalimbakang ring sajeroning Balinese script education ring sajeroning Balinese script education)
  • I Gusti Putu Windya  + (I got this information from a resource perI got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
  • I Ketut Budiana  + (I Ketut Budiana’s code of life is - SwadhaI Ketut Budiana’s code of life is - Swadharma</br>To do Swadharma(duties) means to do it without expecting anything in return, because the return will come by itself following the karma. To do, to work, and to search for something is a noble and valuable life. Never waste your life."</br></br>from Usada Bali. Never waste your life." from Usada Bali)
  • Ida Ayu Komang Sartika Dewi  + (I must admit it. Being human in the materI must admit it. Being human in the material world, like it or not, we must make ourselves as attractive as possible. Either by improving yourself or….even self-exploitation?</br></br>Like sweets, even without tasting it, we know for sure it tastes sweet. Right? But with an attractive appearance, it will be faster to take the viewer’s heart, which ultimately determines their future (the sweets). But unfortunately, they only have two fates.</br></br>They are sold out or wasted, becoming rotten.</br></br>This is my first work inspired by life; instead of talking about my illness, using the object of my body and face as a representation. The reason? I am also human and have experienced this for myself. Young women need to make themselves attractive; otherwise, you will be left out.tractive; otherwise, you will be left out.)
  • Nyoman Butur Suantara  + (I See Fire. ManButur Suantara shares his eI See Fire. ManButur Suantara shares his experience and photography of the Ter-Teran fire ritual in the village of Jasri, Karangasem Bali on March 21st 2023. The full account and series of works by ManButur Suantara is published online at sawidjistudio.com/2023/03/31/i-see-fire/ </br></br>This ritual is known as Ter-Teran held in the village of Jasri in Karangasem Regency Bali. This ritual is held to keep the evil spirits away so that the silent day of Nyepi will be able to pass peacefully, quietly and with blessing...</br>Ter Teran is held only once every two years. and this is spontaneous without staging or planning. In other villages, this type of fire war enactment is ritualised whereas the process is a little bit more free-flowing, here in Ter Teran in Jasri. The atmosphere is truly mystical. It is not something planned or scripted. There are not many tourists as this is not a common attraction. There is a wildness about it. It does not look like a demonstration set up to cater to an audience. The sacred energy of this ritual still feels very strong.gy of this ritual still feels very strong.)
  • Mary S. Zurbuchen  + (In Bali: 50 Years of Changes: A ConversatiIn Bali: 50 Years of Changes: A Conversation with Jean Couteau, Eric Buvelot and Jean Couteau have produced an intricate, sweeping, and controversial picture of Balinese consciousness, social patterns, and religious life, as well as Bali’s place within the national framework of Indonesia. It is doubtless the most ambitious attempt to present a holistic view of the island since Fred Eiseman, Jr.’s Bali: Sekala and Niskala (1990), or Adrian Vickers’ Bali: A Paradise Created (1989). Yet this is not a historical narrative, or the culmination of years of comprehensive research on a particular topic. Instead we find a series of transcribed conversations between two expatriates: Buvelot, a journalist based on the island since 1995, and Couteau, a renowned writer, social observer and commentator intimately involved with Bali since the 1970s.mately involved with Bali since the 1970s.)
  • I Gusti Putu Hardi Yudana  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • I Gusti Ngurah Ady Kusuma  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • Putu Sabda Jayendra  + (In Bunutin, a village on the edge of Batur caldera, Kintamani, lives Mongah, the fern men. There, Mongah have guarded the people from calamity for hundreds of years, —the greatest calamity born of human pride.)
  • Tjandra Hutama  + (In this series ‘Rejang, a Beautiful RemindIn this series ‘Rejang, a Beautiful Reminder of Impermanence’, the themes of beauty, impermanence and time are explored. Tjandra Hutama has won many awards in photography competitions. It is the saturation of pictorial beauty that he encountered throughout those years that prompted this need to reflect something deeper about our perception of beauty. To remind us of its impermanence and of its limitations.</br></br>Physical beauty that is subject to decay and deconstruction is merged with representations of the spiritual and sacred. Elements that are timeless and infinite. Within the layers of Rejang images, the beauty of the dancers is merged with the textures of broken-down buildings, decaying walls, brittle wood, leaves, rust, ash and dust. Despite this, what we see is still beautiful. These textures that are introduced into the work represent the five elements known as Panca Maha-Bhuta. The elements that are the basis of all cosmic creation as believed in Hinduism.l cosmic creation as believed in Hinduism.)
  • Putu Nomy Yasintha  + (Indonesia known as a democratic country, bIndonesia known as a democratic country, but there are still many cases of intolerance, one of which is a large - scale intolerance towards minorities such as LGBTQ people. Indonesia still considered as one of the homophobic countries due to religious norms and rules that limit the movement of LGBTQ people. Indonesian society still lives in a social life that upholds the value of heteronormativity in which heterosexuals are normal people and others considered as abnormal. LGBTQ discrimination also occurs to many adolescents, they do not have free space </br>in society and are even unable to be who they really are even between family and closest friends. Education regarding gender and sexuality is necessary in Indonesian higher education institutions to be able to provide broader education to the community, especially adolescents, which in the end expected to increase public tolerance towards LGBTQ people. This study uses descriptive qualitative method by also distributing questionnaires anonymously at random to several informants. In addition, supporting data from various literatures used to support this research. The results showed that many LGBTQ adolescents felt marginalized by their family </br>and friends. They have not been able to show their sexual orientation without being afraid to get judgement from the public.g afraid to get judgement from the public.)
  • Dewi Dian Reich  + (It is believed that the Barong Landung is It is believed that the Barong Landung is the manifestation of a royal couple, the King Jayapangus and his Chinese Consort Kang Cing Wie.</br>The story goes, that the royal couple were deeply in love but after many years had not been blessed with children. In need of a successor, the King went to Mount Batur to meditate and seek guidance. As he meditated there he met and took as his second wife the Dewi Danu. The daughter of the Goddess of Lake Batur. It is after this second marriage that conflict continued to haunt the family of the King Jayapangus. In summary, The Goddess of the Lake, angry to see her daughter hurt and betrayed. Because of this She destroyed King Jayapangus and his first wife Kang Cing Wie. </br></br>Read related articles at www.sawidji.com Read related articles at www.sawidji.com)
  • I Nyoman Ekaputra, S.Sos M.AP  + (It is said that Rsi Markandeya had a wife It is said that Rsi Markandeya had a wife named Dewi Dumara and then had a son named Rsi Dewa Sirah Pertami and Bhujangga Vaishnava. It is said that Rsi Markandeya was imprisoned on Mount Hyangg, it turned out that there he got many disturbances and then he moved to be imprisoned on Mount Raung, there he received a word from Hyang Jagat Natha who asked him to graze the forest to become rice fields and gardens to the Java area to the east. Then Rsi Markandeya penetrated the forest with yadnya facilities smoothly. After that he succeeded in making rice fields, mining gold and parts of it in the forest which was named Basukih Karanin Village. Named Basukih Karanin Village because there is no shortage of anything there or it can be said to be prosperous. There he planted five datu, gold, silver, copper and others. And also this Rsi Markandeya has another name, namely Ida Maha Rsi Hyang Nerada Tapa.me, namely Ida Maha Rsi Hyang Nerada Tapa.)
  • Arya Lawa Manuaba, Ida Bagus  + (Kadek Haricatra has a strange ability. He Kadek Haricatra has a strange ability. He could see the Nagapuspa flower, the golden lotus flower growing on the rock. The flower can cure all human ailments. But Epsilon, the biggest drug company in the country, is really eager to take Nagapuspa. Kadek Haricatra wanted to be killed. He must run!aricatra wanted to be killed. He must run!)
  • I Nyoman Wahyu Angga B. Santosa  + (Kakawin entitled PRAPANCA SUDDHANI. Is a lKakawin entitled PRAPANCA SUDDHANI. Is a literary work from an author, namely I Nyoman Wahyu Prapanca, in general it has the content or meaning contained, namely discussing the situation of the Covid-19 Pandemic by exploring more about our response to the Covid-19 pandemic so that we don't get carried away in the sadness or suffering caused by the Covid-19 pandemic. this pandemic. In this kakawin we are also taught more about maintaining our inner attitude in facing a difficult situation in this case, namely Covid-19.t situation in this case, namely Covid-19.)
  • I Made Arik Wira Putra  + (Kakawin Usadhi Negari written by I Made ArKakawin Usadhi Negari written by I Made Arik Wira Putra is one of the 5 best works in the kakawin category on Saraswati Sewana at Puri Kauhan Ubud. The Kakawin contains the contents of the author's dream which has a desire that the virus that has been side by side with us for approximately 2 years will soon disappear. This Kakawin was made briefly max 18 on the big theme "Gering Agung" Covid-19, where kakawin is a work of Balinese Purwa Literature or a traditional work, but he tries to make it according to the theme and other conditions without leaving reality (making literary works modern themed with traditional media and dense meaning).with traditional media and dense meaning).)
  • Dewi Dian Reich  + (Kala and the Guardians Reflecting on the nKala and the Guardians</br>Reflecting on the nature of Time and our relationship to the Earth and Spirit through a conceptual journey.</br>A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br></br>Kala and the Guardians conceptualise an abstract idea. The primary themes that we explore here are Kala, Earth and Spirit. In and of themselves, their nature. In addition to seeing these three entities separately, the threading of them together in this collaboration is to ask you to explore your relationship to each of these elements.</br></br>Kala, Earth and Spirit</br>Kala is known to come with many definitions. Among these are time, death, performing arts, and specific deities in Hinduism, Javanese and Balinese mythologies. Yet, despite the many origin stories, there is a connecting thread that Kala is all of those manifestations. However, in this Collaboration, Kala is our canvas. Here Kala is defined specifically through her manifestation as TIME. Of the three characters that we introduce, Kala is the faceless one. She is not represented as a portrait, or in a painting. Yet, she is present in them and in a significant way. That is also part of our display and exploration of Time. Part of the reflections in which Sawidji invites you to contemplate.</br></br>How different art mediums reinforce the message..</br></br>Kala is experienced through the conceptual portraits of the two Guardians representing our Earthly World and our Spiritual World. The portraits of the Guardians of Earth and Spirit were created through a combination of installations and the photography of Dewi Dian and ManButur Suantara. The paintings of Nyoman Handi respond to the questions and reflections raised by the Guardian portraits.</br></br>Collaboration, More Than Just a Word</br></br>All the mediums present in this collaboration bring very different qualities. Sawidji leads with photography. However, the photographic works are actually partners to installation pieces. Installation pieces that we created together as a team. The making of the costumes and studio installations together as a team is truly at the heart of each of our collaborations. A seed of an idea may be singular, but as it germinates and grows, all the contributing elements are what make it possible for it to flourish and blossom. Much the same for Sawidji Collaborations.</br></br>The artists that come together agree on the message. We feel the same about the message. It resonates in each of us. With this trust and agreement, we move together throughout the day and create together, the best embodiment of our concept. There is in fact a lot of freedom. A lot of room for each person to spontaneously make changes and try new things. There is no shortcut to the process. Our work is a result of going through a growth and maturing process for each concept, and this is done together.</br></br>Online Exhibition available for viewing https://sawidji.com/2022/12/13/kala-and-the-guardians-a-timely-reflection/ala-and-the-guardians-a-timely-reflection/)
  • I Made Santika  + (Kidung Roga Mariana is one of the 5 best sKidung Roga Mariana is one of the 5 best songs at the Saraswati Sewana Literary Event which took place at Puri Kauhan Ubud. This song was created by a young writer who is still pursuing his final education at the Faculty of Cultural Sciences, Udayana University by taking the Balinese Literature Study Program. He who was born on January 4, 2000 is the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi. So many achievements that he has achieved, one of which has created his first song and became one of the best kidung. In Kidung Roga Mariana, it tells about eliminating an existing disaster or disease. Where the word "Roga" has the meaning of disease or disaster, the word "Mari" has the meaning of eliminating, and the word "Ana" has the meaning of being.d the word "Ana" has the meaning of being.)
  • Ida Bagus Gede Wirawibawa  + (Land Consolidation (LC), is the goverLand Consolidation (LC), is the government's solution in land acquisition for development. In addition, LC aims to improve the quality of the environment by rearranging plots of land to be more organized and equipped with environmental infrastructure, as well as land tenure in accordance with land use plans. The location of the land consolidation area in Seminyak Village which is close to the center of government, economy and tourism has implications for land use in the area. The phenomenon of land use that occurs in this region tends to ignore the spatial planning that has been determined by the government. If this condition is left unchecked, there will be more violations of land use that are not in accordance with the spatial allocation, leading to spatial conflicts and clutter in regional spatial planning. This study aims to identify changes in land use in the area of land consolidation in the Seminyak Village and the dominant factors underlying the changes in land use. Qualitative methods are used to identify changes in land use, and these dominant factors. Primary data obtained from observations, direct documentation, and the results of interviews with informants determined by purposive sampling. The results showed that there was a mismatch of land use with the plan for spatial planning in the area designated for settlement and green open space. The dominant factors underlying the changes in land use are law enforcement, then environmental factors, economicfactors, and socio-cultural factors. The results of this study can be input for the government in formulating policies relating to planning and controlling the use of space in order to create safe, comfortable and sustainable use of space. comfortable and sustainable use of space.)
  • Nyoman Butur Suantara  + (Landscape photography is very satisfying wLandscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. This image was taken in Yeh Malet in Karangasem regency Bali. Pantai Yeh Malet is actually best known for its Wates Beach, for its sandy black sand that reflects light. Often through popularity, one aspect of a region gets exposure and we often don't see the many layers of beauty that are present every day. Like in this image. Not the sunny popular black sand beach, but in the evening, life of the village still goes on.vening, life of the village still goes on.)
  • Sang Ayu Putu Eny Parwati  + (Language is a resource capable of exposingLanguage is a resource capable of exposing a cultural mystery and cultural can only be expressed in language. Balinese language and culture is a mirror of its speakers. The language and culture of “memasak” or ‘cooking’ in Balinese society has its own meaning which can be expressed through the study of Natural Semantic Metalanguage (NSM). The NSM theory is designed to exploit all meanings, both lexical, illocution, and grammatical meanings. “memasak” or ‘cooking’ in Balinese is included in the category of action and process. In the verb there is an uncompressed polysemic between DO and HAPPEN so the experiment has an exponent: “X does something on Y, and therefore something happens to Y”. The data is collected by involving the conversation method and observation and note taking techniques, there are 12 lexicons of data collected. Trough NSM approach, they applied to represent the semantic primitives. Based on the methods, instruments, and entities used in the verbs, lesksikon is divided into three group of instruments, namely (1) ‘cooking’ by water: nyakan, nepeng, ngukus, ngengseb, nglablab, ngnyatnyat (2) ‘cooking’ by fire: nunu, manggang, nambus, and nguling, (3) ‘cooking’ by oil and without oil: ngoreng and ngenyahnyah. All the lexicon that has the meaning of cooking on the pattern of NSM syntax: X doing something on Y and Y is cooked (well-done).omething on Y and Y is cooked (well-done).)
  • Ni Nyoman uli Widya Kusuma wardani  + (Live a peaceful and happy life based on thLive a peaceful and happy life based on the teachings of Tri Hita Karana</br></br></br>We as human beings have differences, but we need to know our motto, "Unity in Diversity" means "even though we are different, we are still one". We should love each other dear to each other's friends. In this modern era, let's strengthen our sense of friendship together, so that we can have a peaceful and happy life based on the teachings of Tri Hita Karana.</br>Tri Hita Karana are three harmonious relationships. First, to God Almighty.</br>Second, establish harmonious relationships with fellow human beings.</br>Third, a harmonious relationship with the environment.</br>Regarding these three elements, we as human beings have differences such as ethnicity, customs, culture and religion. So, we shouldn't ridicule each other, don't insult each other, let's invite each other, build each other, respect each other and help each other between religions, build good character in each body.</br>Even though we are of different religions it is not an obstacle to strengthening our sense of friendship.</br>Well, if that has been implemented then we can get a comfortable and peaceful life.e can get a comfortable and peaceful life.)
  • Michael White (Made Wijaya)  + (Made Wijaya wrote his "Stranger in Paradise" articles for the Bali Post. He used to personally sign the early editions which he delivered himself to the various Sanur hotels.)
  • Putu Eka Guna Yasa  + (Mahakala is one of the manifestations of DMahakala is one of the manifestations of Dewa Siwa as the great destroyer. In Hindu mythology, Mahakala appears as a ferocious and frightening figure. In this baligraphy, Mahakala is shown in the form of Ong-kara as the center in which the dewata nawa sanga and sacred script are mentioned. The Dewata Nawa Sanga include Dewa Iswara, Dewa Brahma, Dewa Mahadewa, Dewa Wisnu, Dewa Siwa, Dewa Mahadewa, Dewa Rudra, Dewa Sangkara, and Dewa Sambu. The sacred script covering Ong-kara is the sacred symbol of Sang Hyang Widhi who embodies Dewa Siwa. Wijaksara Ang-kara as the sacred script of Dewa Wisnu. Apart from Ong-kara and Ang-kara there are also Vijaksara Bang as the sacred script of Dewa Brahma which is located in the south, Vijaksara Mang as the sacred script of Dewa Rudra which is located in the southwest, Vijaksara Tang as the sacred script of Dewa Mahadewa which is located in the west, and Wijaksara Śing the sacred script of Dewa Sangkara which is located in the northwest. What is very interesting in this baligraphy is the addition of a wall clock with Latin numerals in it.</br></br>So the relationship between Mahakala calligraphy and wall clocks: Mahakala is the embodiment of Dewa Siwa as the supreme god, as the ruler of time and all the elements in the universe (sakala and niskala).ents in the universe (sakala and niskala).)
  • I G W Murjana Yasa  + (Main development problem in developing couMain development problem in developing country is the contradiction between unemployment and poverty. It is caused by the strong relation between both problems. Poverty in so many cases mostly started by the lack access of productive human source to the job field. The complexity of the problem drive the worldwide commitment in reducing poverty all over the world by the draft of development goals, called Millennium Development Goals (MDGs). To promote the development, the effort to reduce poverty that mainly started by the unemployment must involve the society in participative platform. The participation pattern possibly reducing poverty to be more grounded, strengthen commitment between society in responsibility to reduce unwelfare . The local genius, for instance Lembaga Perkreditan Desa (LPD) that is own by the village association has the strategic role in reducing poverty trough the improvement of its social function beside the main function which is to improve the members welfare. The social function means the commitment and togetherness between member to institution and between members.member to institution and between members.)