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A list of all pages that have property "Page text" with value "Portrait of artist Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Taken in June 2023.". Since there have been only a few results, also nearby values are displayed.

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  • Baligrafi Soekarno  + (This baligraphy says Indonesia, Pancasila, NKRI Harga Mati. This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023)
  • Baligrafi Om Awighnamastu  + (This baligraphy says Om Awighamastu which means may there be no obstacles.This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.)
  • Baligrafi Angsa Literasi  + (This baligraphy was created with the theme "National Literacy Movement". This baligraphy was made by children participating in a baligraphy seminar held by UPTD Taman Budaya Provinsi Bali on May 29 2023.)
  • Baligrafi Tunjung Cerdas  + (This baligraphy was created with the theme "National Literacy Movement". This baligraphy was made by children participating in a baligraphy seminar held by UPTD Taman Budaya Provinsi Bali on May 29 2023.)
  • Barong Literasi  + (This baligraphy was created with the theme "National Literacy Movement". This baligraphy was made by children participating in a baligraphy seminar held by UPTD Taman Budaya Provinsi Bali on May 29 2023.)
  • Baligrafi Tunjung Digital  + (This baligraphy was created with the theme "National Literacy Movement". This baligraphy was made by children participating in a baligraphy seminar held by UPTD Taman Budaya Provinsi Bali on May 29 2023.)
  • Baligrafi Kedis  + (This calligraphy is in the shape of a bird. This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.)
  • The Discourse of Bali’s Family Planning: Contestation of Ideology, Politic of Identity, and Cultural Romanticism  + (This paper intends to critically analyze tThis paper intends to critically analyze the Bali’s family planning discourse that was launched by the Governor of Bali in June 2019, which gave rise to pros and cons in the community. State hegemony through the national KB program 'Two Enough Children' is seen to have weakened the demographic position of the ethnic Balinese on the one hand and the dominance of the migrant population on the other. The purpose of this study is to explain how ideological interests, political interests of identity, and cultural romanticism operate and contest in the discourse of Bali’s family planning in Bali. Using the critical discourse analysis method this study found that Bali's family planning discourse involves the contestation of local, national, and global ideologies. His conclusion was that in the contestation the practice of identity politics and the manipulated of cultural romanticism by subjects and actors took place in the dialectics of competition and positioning between Balinese and migrant populations. between Balinese and migrant populations.)
  • Baligrafi Kedis Merak  + (This peacock baligraphy contains three chaThis peacock baligraphy contains three characters which include the sacred characters Ang, Ung, and Mang. This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.uty in Gianyar Regency on December 1 2023.)
  • Puikin Pelih, Luungan Ojog Pepes Dadiang Tongos Maguna  + (Through the Wikithon Public Participation-Through the Wikithon Public Participation-Bale Banjar contest, I, Ni Kadek Sintia Dewi, am ready to build the spirit of the Balinese people, especially women, so that they can use the bale banjar as a creative space to create, spread, and maintain good ideas. Here are creative ideas that I can give according to the interview in this video:</br></br>All villages in Bali have several places fit according to their functions. One of the common places in the village is the bale banjars. A bale banjar is usually used as a place for villagers, especially for neighbors to meet, gather, and do different things. Bale banjar is also usually used as a place to carry out large-scale activities because the place is usually wide.</br></br>Talking about what can be used from the bale banjar, as I know the bale banjar is usually used as a place to learn to play Balinese musical instruments, to learn how to dance, to conduct competitions, to cook, to make ogoh-ogoh whenever Pangrupukan day approaches, to hold Posyandu (regular healthcare program for mothers and newborns), and so on. However, of all of these activities, not all go on regularly. Some are only done on certain days. On other occassions, the bale banjar looks empty and the fence is tightly closed.</br></br>For the bale banjar to be used optimally by residents, especially by women, there are innovations that can be done. For example, young women can meet every Sunday afternoon to write short stories or poetry in the bale banjar. They can write on their gadgets instead of on papers, following the modern era as it is today. This will enable them to gather and get to know each other and can also develop the potential of the younger generation to write in order to pour out their feelings (emotions) or share their everyday stories to other people. After collecting several works, these can be compiled as an anthology. And if possible, the anthology book can be distributed to schools in the village as a media for student literacy.</br></br>Mothers can take advantage of the banjar bale as a place for monthly social gatherings. There they can meet with other mothers. By doing so, they can reduce their home boredom and they can go for recreation or entertainment in the bale banjar. At the social gathering, there is “jimpitan” money (shared money) that can be used as cash for other useful things with shared benefits.</br></br>Let's use the bale banjar as a place to spread creativity together! as a place to spread creativity together!)
  • Topeng Dalem  + (Topeng Dalem. The King, the Mask and the DTopeng Dalem. The King, the Mask and the Dance.</br></br>Topeng Dalem represents the King, Dalem Waturenggon, associated with the Golden Age of Balinese Kingdom of Gelgel during the 16th century. He is known within this narrative as loving, benevolent and wise. A compassionate King. That is why, according to Kadek Sudiasa, in order to carve and capture the essence of Topeng Dalem is difficult. To capture the calm and gentleness of this King, with what he describes as having a particular softness around the eyes. It is this very subtlety within his character that makes it difficult to capture. He lacks the obvious characteristics that are embodied in Topeng Keras or Topeng Tua.</br></br>For Full article https://sawidji.com/2023/07/19/topeng-dalem-the-truth-of-a-king/23/07/19/topeng-dalem-the-truth-of-a-king/)
  • Topeng Tuli  + (Topeng Tuli is part of Topeng Bondres. It Topeng Tuli is part of Topeng Bondres. It was performed in the past as entertainment during ceremonies and community events. This mask was made by Kadek Sudiasa for 'World Without Sound, an Anthology' Exhibition at Sawidji Gallery.</br></br>"Those who can not hear, do not think lightly or less of them.. because they have something extra, something special that other people may not have. God's creation is full of balance and fairness. If they do not have enough in their power of hearing.. they have something else that is extra that we may not see." ~ Kadek Sudiasaxtra that we may not see." ~ Kadek Sudiasa)
  • Tri Netra  + (Tri Netra are the three magical eyes of LoTri Netra are the three magical eyes of Lord Shiva who can see the entire universe with cudamami in the center in the Saput Leger puppet as a sacred ritual drama. Lord Shiva said my three eyes (Tri Netra) between my forehead there is one more eye, the magical eye that can see all nature is closed with cundamani. Tri Netra as the third eye of Lord Shiva Namely Phalanetra, Agnilocana, and Trolicana which are in the philosophy of Lord Shiva with their attributes.</br>Two left and right eyes symbolize physical activity in the world. The third is in the center of his forehead which represents knowledge (Jnana). It is said that Shiva was engrossed in mingling with His magic, namely Dewi Parwati, who was playing blindfolded, because her eyes were closed by the palms of Goddess Parwati, causing Shiva to find it difficult to see, because Shiva blocked her vision, the world was shaken. Also in the Mahabharata book, the Linga Purana book is also mentioned as offering a different story about the appearance of Shiva's third eye.</br>Lord Shiva's third eye in Tapasya Narada and his arrogance as told in the Shiva Purana, At that time, Lord Shiva said that this place would make the Manmadha mantra ineffective and not work. Narada did not know about this. Vishnu listened to him for a moment and realized that Narada had seen maya – Shiva. He also praised Narada, which made him even more arrogant. This made Narada boast even more not once but many times. Then he asked Vishnu's permission to go and then wandered around the three Lokas. and then wandered around the three Lokas.)
  • Tutur Kumara Tattwa  + (Tutur Kumara Tattwa is an ancient JavaneseTutur Kumara Tattwa is an ancient Javanese text that tells about the birth of Bhatara Kumara, a god who always takes the form of a child. Bhatara Kumara (or Sang Hyang Kemara) is believed by Balinese as a guardian deity for children.</br></br>It is told in this lontar that Bhatara Siwa has a child named Bhatara Kala. Because Bhatara Kala likes to prey on humans, he is given the right to eat children born in Wuku Wayang (the 27th week of Balinese 30-week calendar). Coincidentally, Bhatara Kala's younger brother, Bhatara Kumara, was born in Wuku Wayang, so Bhatara Kala really wanted to eat his younger brother.</br></br>When Bhatara Kala wanted to eat his younger brother, Bhatara Shiva intervened them and said that Bhatara Kumara was still young so he could not be eaten. Then, Bhatara Shiva gave a blessing to Bhatara Kumara so that he would always take the form of a child so that his brother would not eat him.</br></br>Bhatara Kumara was then assigned to herd cattle, but he quickly grew bored. It was there then that Bhatara Shiva gave a lecture on spiritual teachings.</br></br>The important teachings in this Lontar Kumara Tattwa include the nature of the ten faculties which can cause the ten kinds of defilements in one's body and mind (dasamala). This defilement causes eight delusions called astamaya-dewi.</br></br>These eight delusions can be eradicated by the eight types of restraint, which are called Astalingga. In this Tutur Kumara Tattwa lontar it is also stated that there are eight qualities of glory.</br></br>This lontar also discusses liberation and spiritual perfection. Perfection of life can be achieved by observing dasa niyama brata, which is ten actions that reflect one's austerities and self-restraint, namely giving, respecting those who deserve respect, exercising self-restraint, carrying out obligations, controlling lust, eating holy food, fasting, not speaking. carelessly, studying the scriptures and doing holy bathing.ing the scriptures and doing holy bathing.)
  • Walakiri Tree  + (Walakiri Tree is part of the series ‘TreesWalakiri Tree is part of the series ‘Trees’ in Black and White by ManButur Suantara. Walakiri Tree is released as Limited Edition prints and signed by the artist. </br>Trees in Black and White by ManButur Suantara. The beauty and poetic vision of ManButur in a series of captures across the Indonesian landscapes. What do you feel when you see a trees’ shadow? When you look upon their reflections and silhouettes. There is something intrinsically human about them.</br></br>A Trees’ Reflection</br></br>Perhaps you can say, it may be that it is the other way around. There is something intrinsically tree like about human beings. Why we see our own reflection in the Earth’s oldest children. For of the oldest living things on this Earth, trees are amongst them. They carry the memories and earths’ blood in their veins.</br></br>There is this basic truth that trees bring life to others. From the time they are a seed, to their stems and flowers, there is no waste. From the beginning to the end of their life, they are givers to the world.</br></br>Nyoman ‘Butur’ Suantaraers to the world. Nyoman ‘Butur’ Suantara)
  • Paplajahan Ané Bakatang Tiang Uli Bali  + (While people visit Bali for a multitude ofWhile people visit Bali for a multitude of reasons this island is special to me as I have called it home for the last 3 years. Bali has taught me some lessons that I will keep with me in other stages of life.</br></br>An important lesson I’ve learned is that every place presents you with an opportunity to grow, you just need the courage to say yes! Bali gives everyone the opportunity to explore the outdoors (either in the mountains or underwater), and this gives everyone the chance to gain a new skill, make new friends or develop a love for the natural world. Recently, I have gotten the courage and determination to say yes to become a certified Open Water Diver.</br>This experience has been incredibly rewarding, as I pushed myself out of my comfort zone, my friendships grew with those I trained with and my eyes were opened to the beauty of the underwater world. With this opportunity, I realised how pressing the issues of coral bleaching and unsustainable fishing actually are and am now more determined to be a part of the solution. From this, I will join a coral restoration project in Les Village because no matter how small we contribute, every action makes a difference. We must think about the global implications yet, take action locally.</br></br>The Balinese open up their island to all of us, foreigners and Indonesians so we can experience the island’s beauty and it is crucial for us to not take this for granted. I realise that a society which hugely depends on tourism has a risk, therefore respecting the customs and traditions in Bali should be a no brainer, as we would hope and expect the same of others if they are visiting our home. As of 25th March 2023, 76 foreigners have been deported from</br></br>Bali for reasons that range from overstaying visas to committing crimes. Although this is a small percentage compared to the number of tourists, in this digital era, their actions go viral and can harm the image of Bali. While Bali is well-known for its tourism because of its beauty, kindness and approachability, I believe that rules should be enforced in order to maintain the quality of tourism that this island offers.</br></br>Moreover, during my time here I’ve come to realise that it’s important to diversify and not put all our eggs in the same basket. During the pandemic, tourism was at a standstill which hit the people and local economy dramatically. Therefore, the Balinese have adapted to diversify their work portfolio such as farming, establishing small businesses or fishing. This lesson will carry on with me in the future, because it has shown me that trying different opportunities will help us to continue growing and adapting to an ever changing world.</br></br>I will continue to learn more lessons in Bali and am grateful for all the opportunities and experiences that I’ve gotten alongside the lessons that have come with it.ngside the lessons that have come with it.)
  • Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali  + (Who doesn't know that Bali is one of the rWho doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.</br>But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.</br>Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
  • Laksana Dewi Uma  + (Who here just talks a lot, but there is noWho here just talks a lot, but there is no evidence? There used to be a story that Dewi Uma was in love with Bhatara Shiva. But his love for Lord Shiva is not nonsense. Dewi Uma wanted to lose her chastity in order to get medicine for a stomach ache in the form of an ox gill to be handed over to Lord Shiva. The government should imitate Dewi Uma's behavior, be willing to do good and be willing to sacrifice to defend the people, so that our country is beautiful, just and prosperous. We are citizens of a silent country is that so? uh no! we also have to imitate the good behavior of Dewi Uma.</br>Don't just say that you are willing to sacrifice, but remember to prove it!ng to sacrifice, but remember to prove it!)
  • World Without Sound  + (World Without Sound is an Anthology of artWorld Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.</br></br>Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.</br></br>Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.</br></br>The Spirit of Inclusivity</br></br>Our invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.</br></br>With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. </br>ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.</br></br>Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
  • Wreddhya Jaladhi  + (Wreddhya Jaladhi comes from Old Javanese. Wreddhya Jaladhi comes from Old Javanese. Wreddhya Jaladhi is the fertility of the oceans which is based on protecting the oceans as a source of life. The shape of the gajah mina is a symbol of the fertility of the oceans. Interrelated characters mean living a life that cannot be separated from the existence of the ocean. the white color indicates the sanctity of the ocean which always shines and provides safety to all living things. This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali.ngs to the Dinas Kebudayaan Provinsi Bali.)
  • Burung Camar dan Kokokan  + (ince 2009, almost 2500 of Clean Bali Serieince 2009, almost 2500 of Clean Bali Series book 2 (trilingual) have been distributed free of charge to local schools mostly around the villages and towns in Bali.</br></br>Trilingual: English, Balinese, Indonesian.</br>Clean Bali Series team members, Author Maggie Dunkle and artist Margiyono have created the second in the series of three environmental children’s books.</br></br>This hardback three language picture-story book (Seagull and Heron) picks up where the first book left off with Seagull continuing inland from the beach and befriending Heron and Kingfisher along the way. The trio discover a whole new set of environmental problems faced by the children and animals in the cities and surrounding countryside. Readers are also introduced to the local “Pemulung” or scrap collectors in an attempt to explain their very simple and essential role in the process of scrap collecting and recycling on the island.ap collecting and recycling on the island.)
  • Danu Bratan Temple  + (pura Beratan or Bratan Pura is a large watpura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
  • Danu Bratan Temple  + (pura Beratan or Bratan Pura is a large watpura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
  • Rajawali dan Anak-anak  + (tri-lingual: English, Balinese, Indonesiantri-lingual: English, Balinese, Indonesian. </br>In the last, and third book in the series, Author Maggie Dunkle and artist Margiyono take its readers high up to the volcanic mountains of Bali, where the Rajawali, a Crested Eagle, can be seen soaring in the clouds. The great bird, who is most intimate with the island’s problems, calls the local children to attend a conference of the birds to find a solution. The children soon realize that it falls upon them to make the changes for a more sustainable future.the changes for a more sustainable future.)
  • Dragonfly  + (“Magic is seeing wonder in nature's every “Magic is seeing wonder in nature's every little thing, seeing how wonderful the fireflies are and how magical are the dragonflies.” </br>― Ama H.Vanniarachchy</br>Photography by ManButur Suantara that explores Macro photography, specifically only using natural light in natural environments with no staging.</br></br>The dictionary definition of Macro Photography is simply taking a picture extremely close up, bigger than life-size. </br></br>Macro photography is all about showcasing a subject larger than it is in real life — an extreme close-up of something small. A full-frame insect in a five-by-seven-inch photo and a four-inch product shot of a cornflake go well above life-size: both are examples of macro photography. - both are examples of macro photography. -)
  • Aryani Willems Portrait 02  + (Portrait of artist Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Taken in June 2023.)
  • Spirit of Legong  + ("My memories of the Legong dance.. growing"My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ Suantara</br></br>Excerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.</br></br>We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. </br></br>On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.</br></br>Read full article in image reference link.Read full article in image reference link.)
  • Condong and Inclination  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Doa  + ('Doa' is part of a series of images in 'Ka'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.</br>Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br>Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
  • Lost Signal  + ('Lost Signal' is part of Photography Serie'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer.</br>"My Grandfather speaks and walks these streets. He use to hold my hand,</br>My Grandfather is ageless, his vision sharp and wisdom deep,</br>Where is our playground? Why does he stumble?</br>Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice?</br>Did you not know there are sharp nails and broken glass that would cut his naked feet?roken glass that would cut his naked feet?)
  • Melodious Urban  + ('Melodious Urban' is a new work by ManButu'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.</br></br>Do we relate to noise as a disturbance? Does quiet mean peace?</br></br>Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.</br>For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.</br>It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
  • Red Chair and the White Room  + ('Red Chair and the White Room is a mixed m'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.</br></br>Excerpt:</br></br>This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. </br>https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
  • Silent Wings  + ('Silent Wings' is a sculptural work by con'Silent Wings' is a sculptural work by contemporary artist Putu 'Bonuz' Sudiana accompanied by a verse of poetry. Photography collaboration with Dewi Dian Reich Sawidji Gallery. Artwork is part of group Anthologyy 'World Without Sound' at Sawidji GAllery April 2023. </br>"Silent wings fly through the darkness of the night... stringing hymns on the face of the moon together with silence.." face of the moon together with silence..")
  • The Red Chair and White Room, a Collaborative Online Exhibition  + (A Sawidji Collaboration "This is not a stA Sawidji Collaboration</br></br>"This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community."</br></br>A mixed photography and multi media presentation exploring social and cultural identity and its changes. Through a symbolic portrait narrative. By Dewi Dian Reich, ManButur Suantara, Ketut Kaprus Jaya.</br></br>In the purity of arts’ expressions, it is needed now even more desperately than before, to serve as a bridge. A bridge to connect people, connect minds as well as to touch hearts. Providing a catalyst. Even perhaps like a conduit that may lead people to raise important questions. To inspire learning and better understanding. Not only for ourselves. But to a wider community as well as the environment in which we live and receive Natures’ many gifts.</br></br>On this note Sawidji Artists invite you to join us, on this day of Independence 17th August, for the online version of our exhibition ‘Red Chair and the White Room’. An exploration of changes social behaviours and its potential impact on cultural identity. Through symbolic representation via a portrait narrative. The Online Exhibition is available below in both English and Bahasa Indonesia.elow in both English and Bahasa Indonesia.)
  • Survivor  + (A collection images in black and white by A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
  • Indomitable Beings  + (A conceptual mixed media series by artist A conceptual mixed media series by artist and writer Dian Dewi Reich for Sawidji Collaboration Manus, a Conscious Journey. </br></br>Australian-Indonesian painter and photographer, Dian Dewi Reich, the founder of the Sawidji Artist Collective, finds herself at the very cross-section of Manus, a Conscious Journey’s creative process. As she claims to be equally attracted to the bizarre world depicted by Hieronymus Bosch and the visuals demonstrating philosophical narratives of Balinese religion, we can say that she embodies the spirit of this collective exhibition through her work Indomitable Beings. Presented in three separate themes all interconnected: plants, animals, and humans. Three categories of living creatures on planet Earth, are separated by biological classifications but united in destiny.cal classifications but united in destiny.)
  • Suklu a Portrait #1  + (A portrait of artist Sujana Suklu in a colA portrait of artist Sujana Suklu in a collaboration with Dewi Dian Reich. Exploring the Three Rooms of Art. Art by Interaction in the studio.</br>Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today. is actively growing in communities today.)
  • Dewi Dian Reich, There is Intellectual Stagnation in Balinese Art  + (An interview with Dewi Dian Reich, Founder of Sawidji Artist Collective and Gallery by Mas Ruscita Dewi. May 17th 2023 Bali Post. Looking at the challenges faced by Balinese artists in the face of a changing global and local markets.)
  • Bali In The Onslaught Of The Era Of Globalization  + (Bali 2023? Which is thick with customs, arBali 2023?</br>Which is thick with customs, arts, culture and traditions. We should be proud of the culture and traditions that we have in Bali. However, many traditions in Bali are now unknown to children or extinct. How come? The influence of the onslaught of the globalization era and with the advent of HP all began to change. Dance, songs, songs, traditional children's songs, traditional games, all of which are starting to disappear and are no longer recognized by the current generation. I really want to see the traditions that should exist in Bali remain sustainable and stable like how our ancestors entrusted so many traditions and cultures that have been passed down to all of us in Bali. Especially the Balinese language, which is currently declining drastically in use among Balinese people. Should we be indifferent to what we have? Should we be indifferent to what we have?)
  • for the sake of returning in the future  + (Bali is a mainstay tourist destination in Bali is a mainstay tourist destination in Indonesia which is very famous in the world. This is because Bali has a variety of beautiful and varied natural attractions. Villas and five-star hotels which are the destination for guests from within and outside the country. Because of that, Bali has been named the second most popular destination in the world for 2023. However, have you ever thought that Bali is increasingly being controlled by outsiders? Many Balinese people sell their land to outsiders to build malls, villas or hotels. Balinese people only work as outsiders, how can Balinese become job opportunities if their own land is sold to outsiders. It is important for the Balinese government to make rules regarding the sale of land in Bali to prevent Balinese land from being used up by outsiders.nese land from being used up by outsiders.)
  • Literature Kalau Dijual, Bali Tambah Sempit  + (Bali is a very small island with an area oBali is a very small island with an area of only 5,780 km². However, it houses a population of 4.29 million people as of June 2022. It is possible that this number will grow even more in the future. The relationship between these two facts can certainly be seen that the increasing number of indigenous people will also require more land to accommodate them. However, the problem arises when a phenomenon occurs where native Balinese choose to sell their land to foreigners. If this continues to happen, then it is possible that the portion of land ownership in Bali will be controlled by foreigners rather than native Balinese. Is selling this land wrong? In my opinion, there is certainly no harm if we use a short-term perspective. However, selling is not wise if we look at it with a long-term orientation. Then what is the solution? As natives of Bali, we must be able to envision what will happen in the future when many land assets change hands to foreigners. With this in mind, it is hoped that a strong sense of ethnocentrism will emerge regarding our ownership of the island. In addition, there needs to be a good understanding of how to manage land so that it can be productive and provide a sustainable source of income rather than just selling it. Finding instant wealth is easy and not as difficult as finding happiness that can be passed on to our children and grandchildren.ssed on to our children and grandchildren.)
  • STOP! BALI IS NOT FOR SALE  + (Bali is always glorified because the levelBali is always glorified because the level of tourist visits to Bali is very high. According to data released by the Bali Central Bureau of Statistics on May 2, 2023, the number of tourist visits to Bali in February 2023 was 370,832 visits. When compared to the previous month, the number of tourist visits in March 2023 increased by 14.59%. Then, don't let this make the Balinese people complacent and exploit Bali on a large scale for the world of tourism by ignoring the Tri Hita Karana order which is the breath of life in Bali. This can be seen in several lowland and highland areas, as well as Bali's coastal areas controlled by foreign investors with the construction of large-scale villas or hotels. The Balinese people themselves, who are predominantly Hindu, have lost public access to enjoy or utilize these lands. For example, public access to the use of the beach for Melasti activities is limited, because the beach area is in the Hotel Area. Dealing with blind things like this, should be tightened starting from each customary village to protect land from being controlled by investors. We must not have intermediaries among us who are concerned with personal gain, but sacrifice public access for our future generations. In addition, at the government level, it is necessary to tighten development permits for foreigners in Bali. If you want to get income from the unproductive land you own, you can do it with a lease or contract system, so that the ownership of the land remains the property of the Balinese people. Let's cheer up that Bali is not for sale and stop massive exploitation of Bali.ale and stop massive exploitation of Bali.)
  • Beyond a Holiday  + (Beyond a Holiday… We are fortunate to see Beyond a Holiday… We are fortunate to see remarkable changes within the works of the same artist, that reveal something subtle and intriguing about changing social conditions. Revealed almost inadvertently through the subconscious responses recorded as artists go through different periods in their life. We have a window to reap something unintentionally sown. A position with the benefit of hindsight giving richness to our insights.</br></br>Wayan Suastama explored the theme of leisure and holidays during two different periods in his life. Exploring these themes was not something that he deliberated on. These were subjects and themes that naturally occurred,.. coincidentally at two very different phases of his career and in very different social and economic conditions. different social and economic conditions.)
  • Ngwangun Bali antuk P2  + (Building Bali with P2 BuildinBuilding Bali with P2</br> Building and maintaining Local Wisdom and Building a Bridge of Hope for a Bright Future for the Island of the Gods</br></br>Om Swastiastu</br></br> Dear guests, I invite you to pray for a moment to the one God, with joy. I invite the brothers before starting this oration. Let us express our gratitude for the blessings given to us at this "Bali Oration" event, I will present the text of the oration entitled "Building Bali for P2"</br></br> Dear guests, as we know, Bali is a paradise island for tourists which is called "the last paradise" because of its natural beauty, and we as Balinese citizens must protect this Bali, as do our leaders who will bring Bali into a new era, If not us who else?!! as the leader of Bali he must see and pay attention to the tourists who come to Bali, because there are many cases of insults and bad behavior from tourists which can damage Balinese taksu.</br></br> Dear ladies and gentlemen, as they all know, Bali is very stressed by taksu, but now it may be even more lost, why?!!, because the tourists do not appreciate and probably do not know how our area is. Many of his actions have damaged the feet of our enemies. According to data from the Bali Ministry of Law and Human Rights as of April 10 2023, they have deported 82 foreign nationals (WNA) for committing violations. Foreigners from Russia are top with 21 members. Nigeria is in second place with 7 people, followed by the US and the UK with 6 each.</br></br> Distinguished guests, whoever will be the next leader of Bali, I hope to take a firm stance against tourists who behave not in accordance with the moral norms that exist in Bali, it is important for leaders to find a balanced solution between good economic growth and preserving heritage Balinese culture and nature. In my opinion, the next leader of Bali must discuss P2, namely the first is conservation, meaning that conservation means that we as Balinese citizens must not be deceived, because every tourist may make a mistake which will reduce our taksu. The second P is Management, management means providing information about several places in Bali that are still sacred and strictly prohibiting tourists from doing inappropriate actions.</br></br> I want to remind them, once again, that whoever leads Bali must be firm in collaborating and organizing to resolve and investigate all existing problems and we as Balinese must also participate in protecting the world of Bali, if not us, who else. I close with pramasanthi om santhi santhi santhi om</br></br>Salam demokrasi!!santhi santhi santhi om Salam demokrasi!!)
  • Cappucino and Croissants  + (Cappucino and Croissants, 2023 Dewi Dian RCappucino and Croissants, 2023</br>Dewi Dian Reich</br>Fine Art Giclee Print</br>60cm x 100cm</br></br>Cappucino and Croissants is part of a series that take Topeng Tua across different social and urban landscapes. There are references here to traditional identity, suggested tones of displacement and estrangement. The layers of meaning we can unravel here to reflect upon is truly open ended. You may even find humor here. open ended. You may even find humor here.)
  • Culmination Calm In Nation  + (Culmination Calm In Nation, at Santrian ArCulmination Calm In Nation, at Santrian Art Gallery Sanur, Bali.</br></br>Sawidji in partnership with Santrian Art Gallery presents a multi-disciplinary group exhibition by artists and writers domestic and international. Reflecting on issues that are currently developing around us. Considering and feeling the social conditions within Indonesia today as well as the wider global context. Joining our voices in one goal to share peaceful thoughts and tolerant action. Claiming human values, peace, togetherness, and mutual respect, with all forms of differences.</br></br>Bringing to a point of culmination a wide range of creative voices toward a positive impact on the community. Art is a bridge for nurturing peaceful social consciousness. We thank Ida Bagus Gede Sidharta Putra of Santrian Art Gallery.de Sidharta Putra of Santrian Art Gallery.)
  • Dasaksara Hanoman  + (Dasaksara Hanoman Baligraphy consists of tDasaksara Hanoman Baligraphy consists of two forms, namely Kayonan and Hanoman. Dasaksara is described in Kayonan. The Dasaksara are the ten wijaksara that connect the human self (microcosm) and the universe (macrocosm). Dasaksara consists of ten wijaksara, namely Sang, Bang, Tang, Ang, Ing, Nang, Mang, Śing, Wang, Yang. The ten wijaksara come from the eight wianjana characters (sa, ba, ta, na, ma, si, wa, and ya) and two sound characters (a and i). If these ten wijaksara are strung together they form a sentence: sabatai nama siwaya which is a prayer to glorify Dewa Siwa. However, only a few Dasaksara are visible in the kayonan because they are covered by Hanoman's body. Wijaksara seen is Ong, Ang, Ung, Mang, Sang, Bang, miwah Tang.</br></br>Hanoman is a character in the epic Ramayana. Hanuman is the son of Dewi Anjani. Dewi Anjani is an angel who was cursed and born into the world as a female vanara. The curse ends when she gives birth to an incarnation of Siwa's son. Dewi Anjani is married to Kesari. Kesari and Dewi Anjani performed intense meditation to beget Dewa Siwa as their son. Because Kesari and Dewi Anjani were firm in their asceticism, Dewa Siwa granted their request and descended to earth as Hanoman.</br></br>If interpreted, Dasaksara Hanoman Baligraphy is a form of glorification of Dewa Siwa which is manifested in the figure of Hanoman.ch is manifested in the figure of Hanoman.)
  • DENPASAR SAYAN KOSEKAN  + (Denpasar is the capital of the province ofDenpasar is the capital of the province of Bali, its strategic regional position has made this city develop very quickly so that the past face of the city of Denpasar as a royal city has changed into a modern and multiethnic city. The development of the Denpasar City concerns growth in the economic, educational, technological, social and cultural aspects which have been mixed with foreign culture. The city of Denpasar also has the characteristics of a big city where there is widespread development of shopping centers, modern markets, entertainment centers, hotels, and many more. This certainly has a positive impact on Denpasar's economy, but on the other hand, this affects the population of Denpasar city which will also affect several other aspects.</br> The population according to the latest BPS data for 2023 is 726,800 people. The population of Denpasar will be numerous if we add the number of residents from outside Bali and foreigners who live to earn a living. A large population will affect the carrying capacity from various aspects, especially the availability of space, which is very limited and is not increasing</br></br>Spatial planning problems in Denpasar include residential housing which is increasingly eroding green open land which should be at 30%. The large population makes land increasingly scarce, land prices will increase, the development of the city of Denpasar can no longer be oriented horizontally but vertically to save the remaining land. This can make the city of Denpasar even more difficult to breathe. A large number of populations also brings other problems such as the accumulation of waste in landfills, one of which is the Biaung landfill. Until now, in my opinion, there is no best solution by the government for waste management in landfills. Various ideas and solutions have been offered, such as TPS3R, buying machines, and even planning to build another waste’s management point at the landfill, but this does not help at all, the government should stop the problem at the source, not with solutions that will create new problems.</br></br> The problem that Denpasar also has recently experienced is traffic jams. Congestion occurs due to the increasing population and each resident has a private transportation and does not use public transportation. The government should be able to optimize public transportation programs such as Teman Bus or Trans Sarbagita Bus which can be used especially for student or workers, and try to increasing bus routes and build more bus stop facilities. The government should also provide sosialitation regarding the benefits and purposes of using public transportation to people so that people know why it is better to use public transportation rather than private transportation.</br></br> It can be concluded that population density can have bad effects in various areas of life such as spatial problem in Denpasar, waste and pollution problems, and heavy traffic jams everywhere. With this, it is hoped that the government can think of a way out of the various problems described earlier, lest this problem has already become big or even gone viral on social media before being handled by the government. I also hope that the government will always be open to the opinions and views of the community so that solutions can be found together.y so that solutions can be found together.)
  • Dewa Baruna (Juara 1 Wimbakara Baligrafi Bulan Bahasa Bali V Tahun 2023)  + (Dewa Baruna in Hindu religious beliefs is Dewa Baruna in Hindu religious beliefs is a god who resides in the seas or oceans. In this baligraphy, a mantra is presented which mentions Dewa Baruna as the god who bestows holiness on living things in the world. This baligraphy won 1st place in the Baligraphic Contest in the framework of the Bulan Bahasa Bali V in 2023 which was held at the Taman Budaya Provinsi Bali. This baligraphy is the property of the Dinas Kebudayaan Provinsi Bali.rty of the Dinas Kebudayaan Provinsi Bali.)
  • Dewa Baruna (Juara 2 Wimbakara Baligrafi Bulan Bahasa Bali V Tahun 2023)  + (Dewa Baruna is the god of the sea.In this Dewa Baruna is the god of the sea.In this baligraphy written the theme of the Bulan Bahasa Bali V in 2023 namely Sagara Kerti: Campuhan Urip Sarwa Prani which is interpreted as an altar of glorification of Balinese language, script and literature, the ocean is interpreted as the beginning and end of the life of living things. This black background baligraphic won 2nd place in the Baligraphic Competition in Bulan Bahasa Bali V in 2023 which was held at Taman Budaya Provinsi Bali. This baligraphy belongs to Dinas Kebudayaan Provinsi Bali.elongs to Dinas Kebudayaan Provinsi Bali.)
  • Embas Sang Anoman  + (Dewi Anjani meditated at Nirmala Lake. OnlDewi Anjani meditated at Nirmala Lake. Only the head is visible. At that time, Bhatara Bayu was flying in the sky. Seeing Dewi Anjani meditating at Nirmala Lake. Bhatara Bayu fell in love and did not realize his semen fell on the taro leaves. Then the taro leaves are blown by the wind and then fall into the lake. Dewi Anjani ate the taro leaves. As long as he meditated, he only ate the leaves that drifted in front of him. Over time, Dewi Anjani became pregnant. She was confused about why she was pregnant, a sign of her husband. He then asked Ida Sang Hyang Widhi (God) for guidance.</br>Bhatara Bayu came down and then recognized the fetus in Dewi Anjani's stomach. Bhatara Bayu said that the fetus would be born in the form of a white monkey. After the baby was born, Dewi Anjani was allowed to return to heaven with her child. Before meditating, Dewi Anjani was an angel named Punjikastala. But the Angel was cursed to become a monkey. She may return to heaven if she has given birth to a child who is a descendant of a bhatara (god).</br>It is said that Dewi Anjani now feels sick to her stomach. Then an angel in heaven came down to help her give birth to her child. A baby in the form of a white monkey was born. After giving birth to a child, Dewi Anjani returned to her beautiful form as an angel.</br>When the baby is born, it is said that the baby can already tell that he is hungry. He asked his mother where to find food. Dewi Anjani showed the place to the east. Red fruits can be eaten. Then the Anoman flew to the east. At that time the sun had just risen. He thought the sun was a fruit as his mother said. The Anoman flew quickly and then swallowed the sun.</br>Lord Indra was very angry to see the sun eat the white monkey. Then he shot Sang Anoman until he fell on the mountain.</br>Bhatara Bayu felt very angry when he learned that his son was hurt by Bhatara Indra. That's what caused Bhatara Bayu to sulk and cause life to be powerless. The earth and everything in it suddenly became limp, and withered from drought. Bhatara Indra begged for forgiveness from Bhatara Bayu. Bhatara Bayu forgave Bhatara Indra. Earth and everything in it is back to normal. Then Lord Brahma and Lord Vishnu gave a gift to Sang Anoman which caused the white monkey to be immune to weapons. the white monkey to be immune to weapons.)